A seemingly shy and humble country boy named Luther Sellers is discovered to have a magnificent voice and mesmerizing stage presence. He is given the stage name Stag Preston and after a short time on the "Chittlin'' Circuit" becomes a major rockabilly music star under the tutelage of a manager who seems to be patterned after Elvis Presley''s manager, "Colonel" Tom Parker. Over time Luther''s success goes to his head and his "Aw, shucks..." demeanor simply becomes a gimmick used to keep his fans, who he secretly despises, believing that he hasn''t really left his country roots and humble upbringing. In reality Stag lives up to his stage name, using his fame and seductive powers to lure any woman he can into his bed, leaving broken hearts and scandals everywhere he goes. The latter are all tidied up by his money-grubbing manager, who doesn''t want anything to taint his cash cow. Meanwhile, Stag''s growing megalomania eventually has him treating everyone around him like dirt and becoming harder and harder to work with. Eventually he is entangled in a scandal that takes all their power to cover up, and sets into motion the events leading to Stag''s downfall.

Spider Kiss

Make Room! Make Room! is set in an overpopulated New York City of 1999 (thirty-three years later than the time of writing). Police detective Andy Rusch lives in half a room, sharing it with Sol, a retired engineer who has adapted a bicycle generator to power an old television set and a refrigerator. When Andy queues for their continually reducing water ration he witnesses a public speech by the "Eldsters", people 65 years and older forcibly retired from work. Pandemonium starts when a nearby food shop has a sale on "soylent" (soya and lentil) steaks. Andy finds that the shop is under attack and being looted. One of the looters, Billy Chung, a desperately poor boy, grabs a box of soylent steaks which he sells to fund himself as a messenger-boy. His first delivery takes him into a semi-fortified apartment block, complete with the rare luxuries of air conditioning and running water for showers. He delivers his message to a rich racketeer named "Big Mike" and sees Shirl, Mike''s concubine. Billy leaves the apartment but hides in the basement, and then later breaks back in for theft. He kills Mike when surprised by him and flees. While Andy investigates the murder, he becomes enamored of Shirl, and ensures that she is permitted to stay in the apartment until the end of the month. During this month they both live there in luxury and afterwards Shirl moves in with Andy and Sol. Shirl becomes disappointed with their impoverished lifestyle. Andy attempts to investigate Mike''s death despite contending with riots, paperwork, and the chief''s trying to spread his meager force to its limit, which makes him irritable. This, in combination with his shame of the life he is now giving Shirl, distances him from her. He therefore becomes obsessed by the idea of capturing Billy Chung. To evade capture, Billy leaves the part of the city to which he is accustomed, eventually breaking into the abandoned Brooklyn Navy Yard, where he comes to live with Peter, a fatalist hermit eagerly awaiting the new millennium as the end of the world. Soon they are attacked by a small group of homeless people and forced to leave their location, later to find a new home in a discarded car whose previous owner had frozen to death. Here, Peter''s stoic acceptance of events frustrates Billy until he decides to return to his family, believing the police will have lost interest in him. Meanwhile, Sol decides he can no longer remain passive in the face of what he sees as human life''s growing crisis, and joins a protest march against the overturning of a legislative bill supporting family planning, in favor of population control as humanity''s hope of survival. Sol is injured in a riot at the demonstration, becomes bedridden, catches pneumonia, and eventually dies. A few days after Sol''s funeral, a family takes Sol''s living quarters as their own, making Shirl and Andy''s life more miserable than before. Andy stumbles upon Billy Chung and accidentally shoots and kills the boy in the latter''s attempt to escape. The police chief therefore demotes Andy. On return to his own quarters, Andy finds Shirl gone. The story ends with Andy on patrol in Times Square on New Year''s Eve, where he glimpses Shirl among rich party-goers. As the clock strikes midnight, Andy encounters Peter, who is distraught that the world has not ended and asks how life can continue as it is; but gives him no answer. The story concludes with the Times Square screen announcing that "Census says United States had biggest year ever, end-of-the-century, 344 million citizens...".

Make Room! Make Room!

Still suffering heartache over his lost love, Jill—the on-again, off-again girlfriend who most recently left for another ex-boyfriend—Kal''s world becomes even gloomier when the whole college assumes he is the attempted rapist pictured in a wanted poster displayed throughout campus. After establishing an unlikely alliance with Katie, a vivacious campus newspaper reporter, the pair set out to prove Kal''s innocence, find the true culprit, and possibly develop their own relationship in the process. The major theme the novel approaches is the wandering mentality quickly becoming synonymous with college students and recent graduates. Kal represents an extreme of that theme, constantly worrying if he''s making the right choices about school, his major, his social life, his drinking problems and so on to the point of neuroticism. In his moments of deep pondering and worry, Kal often floats deep into a trance he coins "The Stare," similar to the "1,000-mile Stare" war veterans are known to have. During The Stare, Kal is oblivious to his surroundings, somehow focusing only on an internal voice in his head, imaginarily personified by a 16-year-old version of himself who is thoroughly disappointed with how the present version of himself has turned out. The book juggles a variety of subplots into one, as opposed to following a singular, linear story line. As the story unfolds, it takes turns between focusing on Kal and Katie''s quest to find the real assailant and Kal''s attempts to pull himself out of his self-made puddle of misery.

Assault on the Senses

Born in 1864 to a clergyman and his dutiful wife, Virginia grows up as a Southern belle in the town of Dinwiddie, Virginia. Her education is strictly limited to the bare minimum, with anything that might disturb her quiet and comfortable existence vigorously avoided. Thus prepared for life, Virginia falls for the first handsome young man who crosses her path—Oliver Treadwell, the black sheep of a family of capitalist entrepreneurs who, during the time of Reconstruction, brought industry and the railroad to the South. Oliver, who has been abroad and has only recently arrived in Dinwiddie, is a dreamer and an intellectual. An aspiring playwright, his literary ambitions are more important to him than money, and he refuses his uncle''s offer to work in his bank. However, when Virginia falls in love with him he realizes that he must be able to support a family, and eventually accepts his uncle''s offer to work for the railroad. The young couple get married and have three children, a boy and two girls. Gradually perfecting her household skills, Virginia is able to get by on very little money. When, after many years, Oliver''s first play is put on the stage in New York, his expectations are high. However, the show is a complete failure as the play is far too intellectual and radical for a Broadway audience who wants to be entertained rather than reformed. Reading about the flop in the local newspaper, Virginia for the first time in her life leaves her children, asking her mother to take care of them for a day or two, and takes the night train to New York to be with, and console, her husband—only to be rejected by him, who is in a state of severe depression. When he has recovered from the shock, Oliver makes yet another concession to society and public taste and starts writing "trash". Throughout the years, Virginia leads a vicarious life: She is happy when her husband and children are happy; she makes sure their clothes are in perfect condition while neglecting her own outward appearance; and she is eager to provide for her children the education she herself has been denied. When, at one point, she realizes that the women her age whom she has known since childhood still look quite young while she has aged prematurely, she quickly persuades herself to believe that a life of altruistic subservience is more than worthwhile, that living and acting the way she does is her duty and God''s will. Her father''s sudden if honourable death—he unsuccessfully tries to prevent the lynching of an innocent young African American and is stabbed in the process by an angry and drunken young man—adds to the gloom that starts creeping into her life, especially when she sees that, as a widow, her mother suddenly loses all her will to live. When she dies only a few months after her husband, Virginia has a premonition that her own fate when losing Oliver could be a similar one. Meanwhile Oliver''s first successful play—a trashy one—premières in New York, with some more to follow in quick succession, and, as the money keeps pouring in, the family move into a bigger house in Dinwiddie. They now employ a number of servants, including an African American butler. With the children gone—their son and one daughter are at college, while the other daughter has married a much older widower with two grown-up children and has also flown the nest—and Oliver frequently in New York to supervise the staging of his plays, Virginia''s life becomes increasingly empty. Having "outlived her usefulness", the days seem endless to her, and with all the servants about the house there is absolutely no housework for her to do either. Now in her mid-forties, Virginia for the first time in her life spends Christmas alone at home. The biggest blow, however, is yet to come: When she accompanies Oliver to New York for a première, she finds out to her dismay that he has been betraying her with a famous actress who stars in one of his plays. For the last time summoning up all her courage, she takes a taxi and pays her an unexpected call but immediately realizes when talking to her that she has no chance of winning her husband back. Without many words, Oliver asks her to let him divorce her, but clinging to the only thing she has left in her life—her marriage—she refuses. The novel ends on a somewhat optimistic note when Virginia, again alone in the empty house in Dinwiddie, receives a letter from her son telling her that he is going to leave Oxford before he has completed his two-year course at the university in order to come back and stay with his mother.

Virginia

War, starvation, crime and birth control have been eliminated. Life is now totally fulfilled and sustained within Urban Monads (Urbmons), mammoth thousand-floor skyscrapers arranged in "constellations", where the shadow of one building does not fall upon another. An Urbmon is divided into 25 self-contained "cities" of 40 floors each, in ascending order of status, with administrators occupying the highest level. Each building can hold approximately 800,000 people, with excess population totalling three billion a year transferred to new Urbmons, which are continually under construction. The Urbmon population is supported by the conversion of all of the Earth''s habitable land area not taken up by Urbmons to agriculture. The theoretical limit of the population supported by this arrangement is estimated to be 200 billion. The farmers live a very different lifestyle, with strict birth control. Farmers trade their produce for technology and the two societies rarely have direct contact; even their languages are mutually unintelligible. The Urbmons are a world of total sexual license where men are expected to engage in "night walking"; it is considered a capital crime to refuse an invitation for sex. In this world it is a blessing to have children: most people are married at 12 and parents at 14. Just thinking of controlling families is considered a faux pas. Privacy has been dispensed with due to the limited area. Because the need to be outdoors and to travel has been eliminated, thoughts of wanderlust are considered perverse. The dwellers of the Urban Monad share scant resources and believe that sharing of everything is required in order for people to peacefully co-exist in close quarters. The sharing extends to wives and husbands, a sentiment likely springing from the free love movement of the mid-to-late Twentieth century. Although great effort is spent to maintain a stable society, the Urban Monad lifestyle causes mental illness in a small percentage of people, and this fate befalls two of the book''s main characters. "Social engineers" reprogram those who are approaching an unacceptable level of behavior. Given the extremes of life in the Urban Monads, law enforcement and the concept of justice employ a zero tolerance policy. There are usually no trials, and punishment is swift; anyone who threatens the stability of the Urbmon society (a "flippo") is "erased" by being thrown into a shaft that terminates in the building''s power generator. This gives one of the book''s characters the idea that humanity has been selectively bred for life within the Urbmons.

The World Inside

Fifteen-year-old Jess, a dedicated swimmer, dotes on her grandfather, a fiercely independent and cantankerous artist. When he falls ill, he insists on returning to the isolated valley where he lived as a child to finish his last painting, a haunting landscape called ''River Boy''. Jess is desperately trying to cope with the knowledge that her grandfather is dying, and she does her best to help him finish the painting that is so important to him. While exploring the valley, Jess feels a strange presence and sees a mysterious boy in the river, now there, now gone. When she eventually meets the boy, he gives her some surprising advice that leads to the painting being finished against everyone''s expectations. In return, he challenges her to join him in swimming down the river from the source to the sea, over forty miles. Jess refuses, saying she must stay with her grandfather, and watches him dive from the waterfall into the river. Soon after, hearing about her grandfather as a boy, she has a sudden revelation, and she swims after the boy to the mouth of the river, where he is waiting for her before finally disappearing. Jess then learns that her grandfather has died peacefully, leaving her his painting of the ''River Boy'', which she now realizes is both a landscape and a portrait of the boy she met – a self-portrait.

River Boy

The lives of two couples intertwine in mid-1950s California, and all learn important lessons about life. Jim Briskin is a classical music DJ. He and his ex-wife Patricia Gray are still very much in love but have divorced because he is sterile. The two divorcees meet a teenaged married couple named Art and Rachael and essentially swap partners. Pat passionately loves the youthful but dysfunctional Art, almost as though he were her child, and the two of them have an abusive relationship in which he gives her a black eye. Meanwhile, Jim and Rachael hook up and Rachael offers to ditch Art and move to Mexico with Jim where he will adopt her baby and raise it as his own. In the end, however, maturity prevails and they all return to their original partners. Miss Thisbe Holt of the original title is actually a very minor character in the book. She is a well-endowed stripper who performs at an optometrists convention which occurs near the very end of the novel. Her act consists of climbing naked into a large clear plastic ball which the optometrists then roll around the hotel suite to more thoroughly examine her ample personal assets. The ball is demolished when it''s later filled with debris and pushed off the hotel roof by the inebriated optometrists. The shortened title seems more obviously appropriate in that its lack of specificity allows it to do double duty in serving as a metaphor symbolizing the irreversible effects of the various life-altering events that occur within the orbits of the main characters.

The Broken Bubble

When the beautiful and glamorous Helen is deserted by her lover, she marries the kindly Martin McMahon and moves to the small village of Lough Glass. Although Martin and Helen have two children, Helen still pines for Louis, the man who broke her heart. Helen seems restless and unhappy living in Lough Glass. Then one day, Helen disappears, leaving behind only a note for Martin. Kit, Helen and Martin''s 13-year old daughter, finds this letter, and burns it without opening it. Kit knows that her mother was unhappy and assumes that her mother has committed suicide. A suicide note would mean that her mother could not be buried in ''consecrated'' ground according to Catholic tradition. However, Helen hasn''t committed suicide. Rather, she decided to run away to England with her former lover. Kit McMahon struggles to grow up without her mother and with the stigma of her mother''s death. While Kit has many friends and mentors to help her grow, she forges a close relationship via letters with Lena Gray. Lena Gray claims to be a close friend of Helen. However, Lena Gray is really Helen herself. The story then traces the fallout of Kit finding out that her mother isn''t dead and is Lena Gray.

The Glass Lake

A year after the Californian mountain village of Drago was destroyed by fire, sinister murders begin to occur in the neighboring town of Pinyon. A teenage boy named Malcolm is found living in the woods, and is one of the survivors of the Drago fire. Also surviving the fire is Derak, the former leader of the Drago community and a werewolf, responsible for the recent deaths. Derak wants to bring Malcolm back to his people, the other survivors of Drago, so that he can learn about his true heritage; Malcolm is also a werewolf. Malcolm is hospitalized and placed under the care of resident psychiatric specialist Dr Holly Lang, who becomes Malcolm''s friend. However, an ambitious and unscrupulous doctor, Wayne Pastory, abducts Malcolm so that he can experiment on him and learn more about werewolves. At a secret clinic, Malcolm is tortured as Pastory conducts cruel experiments on him, but as he is so young, Malcolm is only partially able to transform into a werewolf. Holly discovers the whereabouts of the clinic and tries to rescue Malcolm but she is attacked by Pastory''s henchman. Just as he is about to rape her, Derak - in werewolf form - bursts in and kills the henchman. Malcolm is freed by Holly, who is subsequently rescued herself by the Pinyon sheriff, Gavin Ramsay. However, Malcolm runs away before they (or Derak) can take him back to Pinyon. Over the course of the next year, Malcolm lives as a drifter, wandering throughout California. He eventually meets a man named Bateman Styles who works for a travelling carnival. Seeing that Malcolm has certain abilities (he continues to partially transform into a werewolf), Styles offers him a job working in the carnival freak show as "Grolo - The Animal Boy". Malcolm, without money or a place to live, accepts and the show becomes a minor success. However, publicity leads to Malcolm''s picture being published in the press, which is seen by Holly and she travels to see him. She offers Malcolm the choice of returning to Pinyon with her, which Malcolm accepts. However, the publicity has also attracted the attention of Dr Wayne Pastory, who has been dismissed from the Pinyon Hospital over his dubious activities, but is still keen to resume his experiments. He travels to the carnival and tries to make a deal with Styles, who refuses. Pastory tries to strangle Styles, who then has a heart attack and dies. Malcolm, who is hiding nearby, transforms partially into a werewolf and kills Pastory. However, he is surprised to find that Derak has also tracked him down and still wants him to join their people. In order to persuade him, Derak has kidnapped Holly. This prompts Sheriff Ramsay from Pinyon to travel to the carnival to find her. He learns from a female Drago survivor named Lupe that Derak is holding Holly hostage in the mountains until Malcolm joins them. Ramsay makes Lupe take him to where they are hiding, though she begins to transform into a werewolf on the way and Ramsay shoots her with a silver bullet. In the mountain lair, Malcolm arrives and fights with Derak (who reveals himself to be Malcolm''s father) for Holly. The two change into werewolves, but end up killing each other just as Ramsay arrives and rescues Holly and the other members of Derak''s group from Drago head off into the forest, now without their leader.

The Howling III: Echoes

Tomb of Horrors is set in the World of Greyhawk, a D&D campaign setting. In Tomb of Horrors, the adventurers encounter a number of tricks and traps while attempting to penetrate the tomb of a dead wizard. As the scenario begins, the players are told that the evil wizard Acererak is said to linger in his ancient tomb in undead form. Originally a powerful lich, he has (unbeknownst to the players) become a demi-lich, a more powerful form of undead that has transcended the need for any physical body apart from its skull. Player characters must survive the deadly traps in the tomb and fight their way into the demi-lich''s elaborately concealed inner sanctum to destroy him once and for all. The module is divided into thirty-three encounters, beginning with two false entrances to the tomb, and ending with "The Crypt of Acererak the Demi-Lich". Example encounters are the "Huge Pit Filled with 200 Spikes" (section 20), or encounter 22, "The Cavern of Gold and Silver Mists": "The mists are silvery and shot through with delicate streamers of golden color. Vision extends only 6''. There is a dim aura of good if detected for. Those who step into the mist must save versus poison or become idiots until they can breathe the clean air above ground under the warm sun." The module ends with the destruction of Acererak, without any postscript.

Tomb of Horrors

Hitchens condemns Mother Teresa for having used contributions to open convents in 150 countries rather than establishing the teaching hospital toward which her donors expected that she would apply their gifts. He claims that Mother Teresa was no "friend to the poor," and that she opposed structural measures to end poverty, particularly those that would raise the status of women. He argues she was a tool by which the Catholic Church furthered its political and theological aims, and the cult of personality that she developed was used by politicians, dictators and bankers to gain credibility and assuage guilt, citing Hillary Rodham Clinton, Charles Keating and Michèle Bennett as examples. Hitchens portrays Mother Teresa''s organization, the Missionaries of Charity, as a cult which has promoted suffering to further its own financial ends and does not help those in need. He argues that Teresa''s own words on poverty proved that her intention was not to help people, citing a 1981 press conference in which she was asked: "Do you teach the poor to endure their lot?" She replied: "I think it is very beautiful for the poor to accept their lot, to share it with the passion of Christ. I think the world is being much helped by the suffering of the poor people." Hitchens details Mother Teresa''s relationships with wealthy and corrupt individuals including Haitian dictator Jean-Claude Duvalier and his wife Michèle Duvalier, enigmatic quasi-religious figure John-Roger, and disgraced former financial executive Charles Keating. The book includes the reproduction of a letter written by Mother Teresa on behalf of Charles Keating to Judge Lance Ito who was presiding over Keating''s trial for defrauding his investors of billions of dollars. The letter urged the judge to consider the fact that Keating had donated generously ($1.25 million) to the Missionaries of Charity and suggested that Judge Ito "look into [his] heart" and "do what Jesus would do." Hitchens also includes the contents of a letter written to Mother Teresa by the man prosecuting the case against Keating, Deputy District Attorney for Los Angeles Paul Turley. In the letter, Mr. Turley pointed out to Mother Teresa that Keating was on trial for stealing more than $250 million from over 17,000 investors in his business. In addition, Turley expresses his opinion that "[n]o church, no charity, no organization should allow itself to be used as a salve for the conscience of the criminal" and suggests: "Ask yourself what Jesus would do if he were given the fruits of a crime; what Jesus would do if he were in possession of money that had been stolen; what Jesus would do if he were being exploited by a thief to ease his conscience? I submit that Jesus would promptly and unhesitatingly return the stolen property to its rightful owners. You should do the same. You have been given money by Mr. Keating that he has been convicted of stealing by fraud. Do not permit him the ''indulgence'' he desires. Do not keep the money. Return it to those who worked for it and earned it! If you contact me I will put you in direct contact with the rightful owners of the property now in your possession." After the conclusion of the letter, Hitchens notes: &#34;Mr. Turley has received no reply to his letter. Nor can anyone account for the missing money: saints, it seems, are immune to audit.&#34;

The Missionary Position

The play addresses themes of the role of a church in an African-American family and the effect of a poverty born of racial prejudice on an African-American community. The Amen Corner takes place in two settings: a ‘‘corner’’ church in Harlem and the apartment dwelling of Margaret Alexander, the church pastor, and of her son, David, and sister Odessa. After giving a fiery Sunday morning sermon, Margaret is confronted by the unexpected arrival of her long estranged husband, Luke, who collapses from illness shortly thereafter. Their son, David, along with several elders of the congregation, learn from Luke that, while Margaret had led everyone to believe that he had abandoned her with their son years ago, it was in fact Margaret who had left a dysfunctional Luke and pursued a religious life. This information precipitates confrontations between Margaret and her son, her congregation, and her estranged husband, regarding what they perceive as the hypocritical nature of her religious convictions, and the breakup of her family. After an important conversation with his dying father, David informs Margaret that he is leaving home to pursue his calling as a jazz musician. On his deathbed, Luke declares to Margaret that he has always loved her, and that she should not have left him. Finally, Margaret’s congregation decides to oust her, based on their perception that she unjustly ruined her own family in the name of religion. Only after losing her son, her husband, and her congregation, does Margaret finally realize that she should not have used religion as an excuse to escape the struggles of life and love, but that ‘‘To love the Lord is to love all His children—all of them, everyone!—and suffer with them and rejoice with them and never count the cost!’’

Over 8000 Takeaways For Your Brain!

Read - Listen - Learn

Spider Kiss

By Harlan Ellison

Make Room! Make Room!

By Harry Harrison

Assault on the Senses

No Author Listed

Virginia

By Ellen Glasgow

The World Inside

By Robert Silverberg

River Boy

By Tim Bowler

The Broken Bubble

By Philip K. Dick

The Glass Lake

By Maeve Binchy

The Howling III: Echoes

By Gary Brandner

Tomb of Horrors

No Author Listed

The Missionary Position

By Christopher Hitchens

The Amen Corner

By James Baldwin