Sophie Amundsen (Sofie Amundsen in the Norwegian version) is a 14-year-old girl who lives in Norway in the year 1990. She lives with her mother and her cat, Sherekan, as well as with her goldfish, a tortoise, and two budgerigars. Her father is a captain of an oil tanker, and is away for most of the year. The book begins with Sophie receiving two anonymous messages in her mailbox (the first asking, "Who are you?", the second asking, "Where does the world come from?") and a postcard addressed to ''Hilde Møller Knag, c/o Sophie Amundsen''. Shortly afterwards, she receives a packet of papers, part of a correspondence course in philosophy. With these mysterious communications, Sophie becomes the student of a fifty-year-old philosopher, Alberto Knox. Initially, he is completely anonymous to Sophie, but he later reveals more and more about himself. The papers and the packet both turn out to be from him, but the post card is not; it is addressed from someone called Albert Knag, who is a major in a United Nations peacekeeping unit stationed in Lebanon. Alberto teaches her about the history of philosophy. She gets a substantive and understandable review from the Pre-Socratics to Jean-Paul Sartre. Along with the philosophy lessons, Sophie and Alberto try to outwit the mysterious Albert Knag, who appears to have God-like powers, which Alberto finds quite troubling. Sophie learns about medieval philosophy while being lectured by Alberto, dressed as a monk, in an ancient church, and she learns about Sartre and Simone de Beauvoir in a French café. Various philosophical questions and methods of reasoning are put before Sophie, as she attempts to work them out on her own. Many of Knox''s philosophic packets to her are preluded by more short questions, such as "Why is Lego the most ingenious toy in the world?" Alberto takes Sophie from the Hellenistic civilization to the rise of Christianity and its interaction with Ancient Greek thought on to the Middle Ages. Over the course of the book, he covers the Renaissance, Baroque, Enlightenment and Romantic periods, with the philosophies that stemmed from them. Mixed in with the philosophy lessons is a plot rather more akin to normal teenage novels, in which Sophie interacts with her mother and her friend Joanna. This is not the focus of the story but simply serves to move the plot along. After the introduction to George Berkeley, the perspective of the novel shifts to the mysterious Hilde. Sophie and Alberto''s entire world is revealed to be a literary construction by Albert Knag as a present for his daughter, Hilde, on her 15th birthday. The novel continues with Hilde''s story as a framing device for Sophie''s story, but the stories intertwine as Hilde''s understanding of philosophy grows alongside Sophie''s understanding. As Albert Knag continues to meddle with Sophie''s life, Alberto helps her fight back by teaching her everything he knows about philosophy. That, he explains, is the only way to understand her world. Meanwhile, Alberto''s lessons allow Hilde to develop her own understanding of Sophie''s world and use her knowledge against her father for exercising too much power over Sophie''s world. This is laced with events that appear to be scientifically impossible, such as Sophie seeing her reflection in a mirror wink at her with both eyes or actually seeing Socrates and Plato. Hilde''s book (by her father) ends with Sophie and Alberto disappearing. Gaarder reveals that they have managed to escape Albert Knag''s mind into Hilde''s world as spirits.

Sophie''s World

One evening, at the home of the cobbler old Bob and his washerwoman wife Joan, there is a knock at the door. Bob opens the door and sees a little boy in a torn and stained page''s uniform. When asked "who are you?", the boy replies "I was a rat". Bob and Joan have no children and they take care of the boy by providing food and a bed. The boy was unable to eat with a spoon, and during his first evening he tore his sheets and blankets into strips. However, Bob and Joan were patient and the boy was a quick learner who, wanting to please them, carefully followed their instructions. When he spots a photograph of Princess Aurelia, the prince''s fiancée, in the newspaper, he appears to recognise her as ''Mary Jane''. Joan calls the boy "Roger", the name Bob and Joan would have used for their son. Bob and Joan take Roger to the City Hall to find how to return Roger to his proper home. An official declares that there are no lost children in the city, then notices that Roger has eaten a pencil belonging to the City Council. Bob and Joan take Roger to the orphanage, the police station, and the hospital, but no one can help locate Roger''s home. The Philosopher Royal learns about Roger and his belief that he was a rat, and takes Roger to the palace for tests. Roger announces that he has "been here before", and states that the Prince will marry Mary Jane, only to be told that the Prince will marry Aurelia. When confronted by a cat, Roger runs away from the palace and undergoes adventures as people exploit his ability to eat almost anything, and to wriggle through small openings. Roger escapes and lives in the sewers, but is discovered by the local paper, The Daily Scourge, who exploit Roger again by writing about "the monster of the sewers". After a publicity campaign, Roger is captured and declared a menace whose fate is to be determined by a tribunal. Bob and Joan learn that the tribunal may declare Roger to be a non-human monster that must be exterminated. Joan notices a picture of Princess Aurelia who by now has married the Prince. Joan remembers that Roger had mentioned Mary Jane, so in desperation Bob and Joan contact the Princess. When hearing about Roger and the name "Mary Jane" she announces that she will help. Due to her intervention, Roger is saved and is adopted by Bob and Joan. The Princess had been a girl who worked in the kitchen and kept a pet rat. Her wish to attend a ball at the palace was granted, and her rat was turned into a page boy as her attendant – a "Cinderella story".

I was a Rat! or The Scarlet Slippers

The story mainly takes place in two Ontario locales. In flashbacks, the main character, usually but not always called Alan (he appears to have been alphabetized rather than named, and will answer to any masculine name beginning with A), and his brothers (also alphabetized) grow up outside of the remote town of Kapuskasing. The novel opens with Alan''s purchase of a home in the Kensington Market neighborhood of modern-day Toronto. There are two main plotlines. Alan befriends Kurt, a thirtysomething punk who operates a dumpster-diving operation. Kurt uses computer components that he retrieves from the trash and turns them into functioning Wi-Fi access points. Kurt''s goal is to blanket the entire neighborhood with free and secure Internet access by attaching his access points to buildings with the permission of their owners. Kurt''s plan doesn''t really get off the ground until he forms a partnership with Alan, who puts a more professional face on the operation and sweet-talks many local owners into allowing the access points to use their space and a small amount of their electricity. The second plotline features fantasy elements. Unbeknownst to most of the other characters, Alan and his brothers are not quite human. Their father is a mountain and their mother is a washing machine. Alan''s eldest brother can see the future, his second-eldest is an island, his third-eldest is undead, and his three youngest brothers are a set of Russian nesting dolls. Alan is the most normal-seeming of his family. Outwardly, he looks human, but he heals at an incredible rate, and if part of him is cut off, it will grow back, and the cut off part can be made to form a new copy of him, much like an earthworm does. Another plot strand concerns Alan''s neighbours, a household of students and artists which includes Mimi, a troubled young woman who like Alan is not quite human. Born with wings on her back and no family history, she lives with her abusive boyfriend Krishna, a musician/bartender who can spot beings like Alan and his family, and hates them. Krishna amputates Mimi''s wings every three months; she stays with him because she believes he''s the only one willing and able to make her "normal."

Someone Comes to Town, Someone Leaves Town

Cass''s letter, which forms the bulk of the novel, describes his contact with a bizarre form of alien species. Whilst holidaying in the Lake District, Cass is inexplicably drawn to a lump of rock, which he pockets and takes back with him to his room. There, he is driven to place the rock on the fire, and this action releases a bizarre form of alien life - a living flame, which has been trapped in the rock for millennia. The flame reveals itself to be one of an ancient alien race who originated in the photosphere of the sun. Solar catastrophe has distributed the ancient race throughout the planets of the solar system, and the flame-beings can only be woken by intense heat. The flame and Cass discourse at great length about typically "Stapledonian" topics - the life of the spirit, the role of the individual and the purpose and meaning of the universe. Over the succeeding nights they develop a strange friendship, in which Cass reactivates the flame in his hearth, (which slumbers in the cold rock of the firebrick) with a hot coal fire. Eventually, the flame reveals that it has grand plans for Cass - it wishes him to be an ambassador for his people, and explains that the flame and his race have been manipulating events on Earth in order to better their chances of survival, manipulation that included the unfortunate suicide of Cass''s wife. The flame proposes that Cass aid in introducing the flames to humankind. In exchange for a permanent home on earth - a zone of extreme heat - the flames will use their telepathic powers to assist mankind. Cass agonises over this offer for two days, and comes to the decision that humanity must stand or fall on its own merits, without outside help or control. He reactivates the flame and douses it violently with cold water. The rapid change in temperature kills the ancient being at once. Cass, torn with regret and doubt, but set in his course of action, begins finding and killing the little flame creatures wherever he can find them. Posing as a journalist, he visits a foundry where locomotives are made and attempts to shut off the furnace. He is arrested and placed in a mental home. Thos takes up the final part of the narrative, visiting Cass in the asylum. Cass claims to have been in contact with the flames once more, who have re-established contact with their brethren on the sun. Cass tells the story of their race: how they became part of a "cosmical mind" reaching out to the creator of all things, and how this enterprise failed. Thos hears nothing from Cass for a few months, but is later informed of Cass''s death - he perished in a fire at the asylum, which he started himself.

The Flames: A Fantasy

The plot centres around the rivalry between Adam and his brother St John. As the younger of the two, Adam knows that when their father dies, the family estate and shipyard that he loves so much will be inherited by his wayward brother. The rivalry between the two men intensifies when Adam falls in love with Meriel Sawle, the beautiful daughter of the local tavern keeper. But St John is determined that Adam will have neither the estate or Meriel. According to genealogical information provided in the book, Adam Loveday was born in Cornwall in 1767 as the son of Edward and Marie Loveday. He has a twin brother, St John Loveday. Adam Loveday was encouraged to join the Royal Navy, and spent much of his early life as a junior officer. However, he was eventually forced to leave after being caught duelling with a rival officer, Lieutenant Francis Beaumont. After this he spent much time working in his father''s shipyard where his designs for new ships helped to expand and improve the business. His talent for shipbuilding encouraged his father to make Adam heir to the family shipyard, further fuelling the rivalry between himself and St John. Adam is described as being tall, with dark shoulder length hair, a lean build and deeply tanned skin from his long days spent at sea. He is twenty years old when introduced in the first book of the Loveday series.

Adam Loveday

Lise is a spinster, working in an accountancy firm somewhere in Northern Europe, probably Denmark (the location is not explicitly specified). Spark described The Driver''s Seat as a ''whydunnit'' (and she uses the term in the novel). This is because in the novel''s third chapter it is revealed that Lise will be murdered. Hence Spark''s novel is an examination, not of what events take place but why they do so. Lise''s strangeness and her isolation is mirrored in Spark''s detached narrative. It is eventually revealed that Lise has suffered years of illness; her erratic and often confrontational behaviour and her garishly clashing, provocative clothing continually alert the reader of this. Lise travels to a South European city, apparently Naples, ostensibly to meet her illusory boyfriend. But her quest is more complex: it is not merely for acknowledgement, but also annihilation (she admits that I wish my parents had practised birth control) and ultimately the story is about a woman seeking to control her own death. The Driver''s Seat is a study in the alienation and isolation of modern life, in which trendy New Age "lifestyles" replace genuine spirituality and in which chaos and absurdity replaces the moral certainty of the God-ordered world. Deprived of these values and existing in a small, sterile, impersonal world (reflected in her blandly expensive, utilitarian flat), Lise is driven to search not for her ideal lover but her ideal death. Spark perverts the traditional fairy tale romance, denying the reader the comfort that the perfect love affair is the antidote to the empty isolation of modern life. In its place she raises a series of thought-provoking, disturbing questions about the nature of female victimisation and empowerment and the debasement of social and spiritual values in modern society.

The Driver''s Seat

While studying the archaeological records of the now-destroyed planet Sarpeidon, a scholar aboard the USS Enterprise finds pictures of an ice-age cave painting that depicts a Vulcan face. Spock realizes that his involvement with Zarabeth in the episode "All Our Yesterdays" resulted in the birth of a child. Along with Captain Kirk and Dr. McCoy, he uses the Guardian of Forever (featured in the episode "The City on the Edge of Forever") to journey back into Sarpeidon''s past and rescue his son. Due to a miscalculation, they find a young man of twenty-eight instead of a child, who tells them that his name is Zar and that his mother Zarabeth died in an accident many years before. Spock introduces himself but refuses to allow Zar to call him "Father." Zar returns to the Enterprise and passes as a distant relative of Spock, who oversees his education and attempts to train him in Vulcan telepathic techniques. They discover that Zar is an unusually strong telepath for a Vulcan; he can establish contact without touching the other person. Zar becomes conflicted and hurt by his father''s apparent refusal to acknowledge him. The Enterprise is called back to the planet Gateway to protect the Guardian of Forever from a Romulan intelligence raid. It is imperative to the security of the United Federation of Planets that the Romulans not discover the Guardian''s powers; if they cannot be driven away, Gateway must be destroyed. The Romulans place a force field around the Guardian and hide themselves behind a ground-based cloaking device. Zar volunteers to help Spock counteract the force field because he can sense whether Romulans are present even if he cannot see them. Their first try is unsuccessful, but when they rendezvous with Kirk the three men discover they are trapped on the planet while the Enterprise with Scotty in command battles the Romulans. They decide to try again, but Spock disables Zar with the Vulcan nerve pinch, wishing to spare him from danger. Kirk and Spock are captured and tortured by the Romulans. When Zar wakes up, he is able to telepathically sense their danger. He also realizes that his father cares about him, since he chose to protect Zar instead of Kirk, his closest friend. The Enterprise defeats the Romulan ships and a rescue party beams down. Zar creates a diversion by causing an explosion, allowing the others to rescue Kirk and Spock. Once the Romulan threat is over, Zar decides to use the Guardian to return to Sarpeidon''s past, but to a more settled location than the one he originally inhabited. He has discovered evidence that he is crucial to the planet''s unusually rapid cultural evolution.

Yesterday''s Son

Count Magpyr and family are invited to the naming of Magrat and King Verence''s daughter, to be conducted by the Omnian priest, Mightily Oats. During the ceremony, Verence informs Nanny Ogg and Agnes Nitt that the Count has informed him that the Magpyr family intend to move into Lancre Castle and take over. Due to a type of hypnotism, everyone seems to consider this plan to be perfectly acceptable. Only the youngest witch, Agnes, and the Omnian priest, Mightily Oats, seem able to resist this charm, due to their dual personalities. The Magpyr son, Vlad, is attracted to Agnes because she is able to resist him. Meanwhile, Granny Weatherwax has left her cottage empty and seems to be working towards a life in a cave, almost like a hermit. After they have left the hypnotic influence of the Vampires, Agnes, Nanny Ogg and Magrat attempt to convince her to help them save Lancre, but apparently without success. The Magpyr family have made themselves much more formidable enemies by building up tolerance to the normal methods used to defeat vampires, such as garlic, bright light, and religious symbols. This has been done with a series of self help procedures, including exposing the younger vampires to low levels of vampire repellents. There is an Igor who is the servant of the Magpyrs. He is a traditionalist who spends his spare time breeding and distributing spiders for the dark corners of the castle. The Magpyrs are very rude to him, and make fun of his attempts to keep their residence looking like a ''proper'' vampire''s castle. Igors'' impression of the current Count Magpyr is that he is too modern, whereas Igor prefers "tradithionalitht" methods of Vampirism (all Igors have a lisp on the Discworld—although some only have them when they remember). Finally, Nanny, Magrat and Agnes confront the Magpyrs, but look to be defeated when Granny Weatherwax comes in (stumbling and tired in a very un-Granny like fashion). She also appears to fail against the Magpyrs and she is bitten in the neck and seems destined to become a Vampire. She resists, though not without extreme physical strain. Nanny, Magrat and Magrat''s infant daughter Esmerelda Margaret Note Spelling of Lancre escape with the help of the rebelling Igor, who appears to have a crush towards Nanny), but are forced to detour to Überwald and end up in the Magpyrs'' castle. Agnes is kidnapped by the Magpyrs and their clan, who give chase by flying. While Magrat and her daughter hide in Igor''s dungeon quarters Nanny and Igor begin fighting against the Magpyrs, using the considerable stock of Holy water and other religious symbols that were originally collected by old Count Magpyr (who is described as having been "a sportsman"). Surprisingly (for the Magpyr family, at least) the old-fashioned ways to defeat vampires that they thought themselves protected against start to work again. They don''t understand what the problem is, although they start to have bizarre cravings for "hot, sweet tea and biscuits", a combination that has them feeling quite upset (it not being their usual craving for blood.) All is revealed when Granny (who has helped Mightily Oats to Überwald by a process of being carried by him) tells them that - far from turning her into a Vampire, they have, instead, been ''Weatherwaxed'', caused by the sharing of their blood with her. The Magpyrs find themselves unable to harm Magrat''s daughter or do anything else that Granny herself is unable to do (e.g. fly). They are even more horrified when they find out that Igor has re-awakened the old Count Magpyr (having gone into his crypt and spilled a drop of blood on the old Count''s cremation ashes) and that the people of Überwald would prefer the old Count to their new, modern type of vampirism. The Magpyrs are attacked (and presumably killed—though probably not permanently) by the citizens of Überwald and the witches return to Lancre.

Carpe Jugulum

This novel starts with Will traveling to his first assignment as a fully fledged ranger. During his travel to his assigned fief, he finds a female dog bleeding to death from by the roadside. Will takes her home, heals her, and she becomes his pet. After spending a few weeks at Seacliff, the fief to which Will is assigned, Will realizes that this fief has grown slack in the training of its knights and a little lax in its responsibilities. Just before the month is up, a Skandian raiding party consisting of around thirty men arrive at this lazy town. The soldiers are unprepared from the lack of practice and would certainly not stand a chance against the raiding party. Will rides out alone to meet them and they come to an agreement. The Skandian party had little choice but to raid the town because they would have starved otherwise; however, if they attacked, Will would have killed at least half of them with his new longbow before they even reached the town. Will had a better idea and forced the baron and battlemaster to supply a certain number of animals and food for the Skandians. By this, Will did two things: he taught the baron and battlemaster a lesson and protected Seacliff from being raided. After a few days, Alyss, Will''s lifelong friend, arrived at Seacliff on a courier mission. While sitting in Will''s cabin, Alyss mentioned Halt, Will''s former master, and Crowley, the Ranger Corp Commandant, had a task for him, unfortunately their conversation was overheard by John Buttle the brutal man who had injured Will''s dog earlier and was connected to a string of murders in the area. Will knocked him out cold, but Alyss wanted him dead. Will had a better solution and gave him to the Skandian raiders as a slave. Will traveled to Halt and Crowley as Alyss had instructed him. His master told him to go undercover as a jongleur (a sort of traveling jester or minstrel) and gather information in Norgate, a northern fief, at the castle Macindaw. Lord Syron, the master at castle Macindaw, had fallen sick from some strangely epitomic illness. Rumors had spread that a sorcerer was responsible for the illness and they wanted Will to investigate what was happening. At Macindaw, Will met Orman, the temporary lord of the castle as he is the son of Lord Syron. An irate bibliophile, he is always wearing black. Orman is an unpopular ruler due to the fact of his lack of skill in battle. Will also met Keren, Orman''s cousin and a more popular man among the subjects in the castle. Will was immediately suspicious of Orman and so was Alyss, who just so happened to be his contact sent by Halt and Crowley. Alyss was undercover as Lady Gwendolyn, a pompous and superficial woman on her way to her fiance''s castle in the next fief. Later as the plot unwrapped Orman summons Will to his quarters and it is revealed that the guise of a simple jongleaur failed and Orman knows Will to be a Ranger. Orman tells Will that Keren was planning a take over of the castle and that Keren had poisoned Lord Syron and has managed to do the same to him self. So Will escapes from the castle with Orman and his assistant to Grimsdell Woods where the "sorcerer" lived. Once there, they found Malcolm the "sorcerer" and asked him to heal Orman. Alyss was puzzled seeing Will help Orman and fantasized many conclusions none of which were right. Then Keren entered her room to tell her about the recent events, but as they were talking, John Buttle walks in. He recognises Alyss and she is captured. Will later went back to Macindaw in an attempt to save her. He climbed the tower wall and attempted to dissolve the bars protecting the window with a special acid he received from Malcolm. Will fails in rescue attempt and just barely escapes from the castle with his life. He is determined to get Alyss back.

The Sorcerer in the North

Nordau begins his work with a ''medical'' and social interpretation of what has created this Degeneration in society. Nordau divides his study into five books. In the first book, Nordau identifies the phenomenon of fin de siècle in Europe. He sees it as first being recognised, though not originating, in France, ''a contempt for the traditional views of custom and morality.'' He sees it as a sort of decadence, a world-weariness, and the wilful rejection of the moral boundaries governing the world. He uses examples from French periodicals and books in French to show how it has affected all elements of society. Nordau accuses also society of becoming more and more inclined to imitate what they see in art. He sees in the fashionable society of Paris and London that ''Every single figure strives visibly by some singularity in outline, set, cut or colour, to startle attention violently, and imperiously to detain it. Each one wishes to create a strong nervous excitement, no matter whether agreeably or disagreeably.'' Nordau establishes the cultural phenomenon of fin de siècle in the opening pages, but he quickly moves to the viewpoint of a physician and identifies what he sees as an illness. ''In the fin-de-siècle disposition, in the tendencies of contemporary art and poetry, in the life and conduct of men who write mystic, symbolic and ''decadent'' works and the attitude taken by their admirers in the tastes and aesthetic instincts of fashionable society, the confluence of two well-defined conditions of disease, with which he [the physician] is quite familiar, viz. degeneration and hysteria, of which the minor stages are designated as neurasthenia.'' The book deals with numerous case studies of various artists, writers and thinkers (Wilde, Ibsen, Wagner and Nietzsche to name but a few) but its basic premise remains that society and human beings themselves are degenerating, and this degeneration is both reflected in and influenced by art.

Degeneration

The story is about a boy named Beric, who is raised amongst the Dumnonii. After coming of age, his status within their culture comes under pressure, shown in a conflict between the acceptance of the village Bard and the condemnation on religious grounds by the village Druid. After a bad harvest is linked to his presence, the superstitious views of the Druid win-out, and Beric is exiled from the tribe. He journeys to Isca Dumnoniorum, where he falls afoul of a Greek slave trader, who tricks Beric and takes him as a slave. He us ultimately purchased by Publius Pio, a Roman Magistrate, and becomes part of Pio''s patrician household on the Viminal Hill. Beric antagonizes Glaucus, son of Publius Pio, embarrassing Glaucus at a dinner celebrating Pio''s election to the office of Aedile. This scene is witnessed by Centurion Justinius, and results in Beric being condemned to work in the salt mines, a certain slow and painful death. Beric makes his escape from Pio''s household, hiding in a disused temple of Sylvan Pan, and making his way north on the Via Flaminia, hoping to walk back to Britain. He is caught in the Roman countryside, condemned as a bandit, and sentenced to live out his life as a galley slave. He works in the Rhenus Fleet, stationed in Colonia Agrippina, living many years on the galley ''Alcestis''. His galley is eventually sent to Britain, surviving a great storm, during which Beric is thrown overboard for dead. Beric washes ashore for the second time in his life, this time to be rescued by the Roman British household of the centurion Justinius, who had returned to his duty station after his leave in Rome. Beric now joins in the work on the Rhee Wall of Romney Marsh, where the Romans led by Justinius are working reclaim land from the sea. The progress of the Rhee Wall and the lives of the workers are threatened by a great storm, during which Beric bonds with his new comrades, and after which he concludes that he has finally found a place and a people where he belongs. Like in many Sutcliff novels, the theme of Outcast revolves around Beric''s struggle to find belonging as he is caught in various degrees of acceptance and descrimination by the various societies through which he travels. Also like in many Sutcliff novels, Outcast strongly features the celtic native hound, with Beric''s progress being paralleled by renouncing his native dog in the beginning of the novel, later adopting a mixed-breed dog near the Roman camp by the Rhee wall, and ultimately having his break-through moment of feeling accepted when the second dog drops her newborn pup on his feet. Richard Kennedy''s cover art is in color, while the illustrations within the novel are black and white charcoal drawings.

Outcast

Its action takes place twenty years after the previous play, The Marriage of Figaro: The story''s premise is that several years ago, while the Count was away on a long business trip, the Countess and Chérubin spent a night together. When the Countess informed Chérubin that what they did was wrong and that she could never see him again, he went away to war and intentionally let himself be mortally wounded on the field. As he lay dying, he wrote a final letter to the Countess, declaring his love and regrets, and making mention of all the things they had done. The Countess did not have the heart to throw away the letter, and instead had a special box made by an Irishman called Bégearss, with a secret compartment in which to store the incriminating note, so the Count would never find it. Soon after, to her dismay, the Countess discovered herself pregnant with Chérubin''s child. The Count has been suspicious all these years that he is not the father of Léon, the Countess''s son, and so he has been rapidly trying to spend his fortune to ensure the boy won''t inherit any of it, even having gone so far as to renounce his title and move the family to Paris; but he has nevertheless held some doubts, and therefore has never officially disowned the boy or even brought up his suspicions to the Countess. Meanwhile, the Count has an illegitimate child of his own, a daughter named Florestine. Bégearss wants to marry her, and to ensure that she will be the Count''s only heir, he begins to stir up trouble over the Countess''s secret. Figaro and Suzanne, who are still married, must once again come to the rescue of the Count and Countess; and of their illegitimate children Léon and Florestine, who are secretly in love with each other.

Over 8000 Takeaways For Your Brain!

Read - Listen - Learn

Sophie's World

By Jostein Gaarder

I was a Rat! or The Scarlet Slippers

By Philip Pullman

Someone Comes to Town, Someone Leaves Town

By Cory Doctorow

The Flames: A Fantasy

By Olaf Stapledon

Adam Loveday

By Kate Tremayne

The Driver's Seat

By Muriel Spark

Yesterday's Son

By Ann Carol Crispin

Carpe Jugulum

By Terry Pratchett

The Sorcerer in the North

By John Flanagan

Degeneration

By Max Nordau

Outcast

By Rosemary Sutcliff

The Guilty Mother

By Pierre de Beaumarchais