Innocently responding to a motorist''s request that they shut off a light at his home, the Hardy Boys discover a deep mystery: the man used the name of a man, John Mead, that Chief Collig claims died five years earlier in a car accident. Adding to the mystery, the Mead mansion''s doors have neither knobs nor visible keyholes. Only after speaking to a locksmith do they learn that the locks were concealed. Meanwhile, their father Fenton assigns them to investigate a lead in the kidnapping of a doctor that may lead down the trail to a local boy who fell in with a local thief, a master criminal, who''s a relation to the boy. The Hardy boys are to locate a traffic signal that hums like someone singing faintly, and drive ten minutes from it in each direction, then investigate the area for a "secret panel". Fenton''s mystery ends up intertwining with the Mead mansion and the master criminal, who''s been carrying out a series of break-ins and thefts without triggering the alarm systems. It turns out that the deceased Mr. Mead was an electronics genius who developed a device that could open any lock and defeat alarm systems, but asked that, upon his death, it be turned over to the FBI. The master criminal had befriended Mr. Mead, found out about the device, and stolen it.

The Secret Panel

Egyptian artifacts intended for the Braintree Museum in Washington, D.C. are stolen. Mysterious figures from ancient Egypt are sighted at night, people are murdered, a mummy speaks and walks, people have terrible headaches and seem to be taken over by their pre-incarnations as ancient Egyptians. The "Blood Ring" is set with a pink cornelian stone that is made blood red and filled with power if it is dipped in human blood every 48 hours. Nellie Gray is prominent on the list of intended sacrifices, and Smitty, rescuing her at one point, Samson-like, pulls down a reproduction Egyptian temple in the museum. Josh guards the Egyptian exhibit at night after a guard is killed and another quits; realistically nervous, he displays none of the typical feet-shuffling eye-rolling mannerisms often found in the pulps of this time. Benson''s scientific sleuthing reveals that Egyptian symbolism, drugs, hypnosis, and technology were used by the villain as part of a blackmail scheme. Typically, Benson turns the villain and his gang against one another, and tricks them into dying in their own death trap.

The Blood Ring

The first of the two characters to be introduced is "You". He is described as a local tourist---"not that sort of tourist" but a backpacking one "wearing strong sensible sports shoes and a backpack with shoulder straps". He seeks out the elusive Lingshan, a sacred mountain. "You" has long lived in the city, but yearns for a rural existence from the past He shuns the idea of settling for "a peaceful and stable existence" where one wants to "find a not-too-demanding sort of a job, stay in a mediocre position, become a husband and a father, set up a comfortable home, put money in the bank and add to it every month so there''ll be something for old age and a little left over for the next generation". "You" meets up with another wanderer, a troubled and emotional "She". And so "You"''s journey also becomes a journey into an erotic relationship. "You" also travels inwards as he explores his powers as a storyteller. Later in "You"''s story, "She" departs "as if in a story, as if in a dream". Meanwhile, "I" is a writer and academic who travels to Sichuan after having been misdiagnosed of a terminal lung cancer. He wants to take a break and start looking for an "authentic life" -- meaning the opposite of that of the state''s concept of real life. The characters'' sense of humanity is revealed during their quest. "I" realizes that he still craves the warmth of human society, despite its anxieties. "Soul Mountain" is essentially a two-part novel featuring two main characters -- known only as "You" and "I" who turn out to be alter egos of the same persona. The "You" character occupies the odd-numbered chapters 1-31 and the even-numbered chapters from 32-80, while the "I" character''s includes even-numbered chapters 2-30 and odd-numbered chapters 33-81. (The idea that they are two sides of the same character is revealed in Chapter 52).

Soul Mountain

The curtain rises on three identical grey funeral “urns”, about three feet tall by preference, arranged in a row facing the audience. They contain three stock characters. In the middle urn is a man (M). To his right is his wife (W1) or long-time partner. The third urn holds his mistress (W2). Their “[f]aces [are] so lost to age and aspect as to seem almost part of the urns.” Beckett has used similar imagery before, Mahood’s jar in The Unnameable, for example, or the dustbins occupied by Nell and Nagg in Endgame. At the beginning and end of the play, a spotlight picks out all three faces, and all three characters recite their own lines, in what Beckett terms a "chorus"; “He wrote each part separately, then interspersed them, working over the proper breaks in the speeches for a long time before he was satisfied.” One character speaks at a time and only when a strong spotlight shines in his or her face. The style is reminiscent of Mouth’s logorrhoea http://dictionary.reference.com/browse/logorrhea%20 in Not I, the obvious difference being that these characters constantly use first person pronouns. Clichés and puns abound. While one is talking the other two are silent and in darkness. They neither acknowledge the existence of the others around them (M: “To think we were never together”) nor appear aware of anything outside their own being and past (W2: “At the same time I prefer this to . . . the other thing. Definitely. There are endurable moments”). Beckett writes that this spotlight "provokes" the character''s speech, and insists that whenever possible, a single, swivelling light should be used, rather than separate lights switching on and off. In this manner the spotlight is “expressive of a unique inquisitor”. Billie Whitelaw referred to it as “an instrument of torture.” The spotlight is in effect the play’s fourth character. In an almost fugal style the three obsess over the affair. Each presents his or her own version of the truth told in the past tense and each from his or her respective points of view. It is one of Beckett’s most ‘musical’ pieces with “a chorus for three voices, orchestration, stage directions concerning tempo, volume and tone, a da capo repeat of the entire action” and a short coda. Towards the end of the script, there is the concise instruction: "Repeat play." Beckett elaborates on this in the notes, by saying that the repeat might be varied. “[I]n the London production, variations were introduced: a weakening of light and voices in the first repeat, and more so in the second; an abridged second opening; increasing breathlessness; changes in the order of the opening words.” At the end of this second repeat, the play appears as if it is about to start again for a third time (as in Act Without Words II), but does not get more than a few seconds into it before it suddenly stops. “The affair was unexceptional. From the moment when the man tried to escape his tired marriage and odious professional commitments by taking a mistress, [events took a predictable enough course:] the wife soon began to ‘smell her off him’; there were painful recriminations when the wife accused the man, hired a private detective, threatened to kill herself, and confronted the mistress in an old rambling house reminiscent of Watt (and where the servant again is ‘Erskine’) … The man renounced the mistress, was forgiven by his wife who ‘suggested a little jaunt to celebrate, to the Riviera or … Grand Canary,’ and then, [true to form], returned to the mistress, this time to elope with her. [In time] their relationship too became jaded, and the man” abandons her as well. According to Knowlson and John Pilling in Frescoes of the Skull: the later prose and drama of Samuel Beckett, “[T]he three figures in Play … are not three-dimensional characters. Any attempt to analyse them as if they were would be absurd. The stereotype predominates … [They] belong … to the artificial world of melodrama and romance embodied in romanticized fiction.”

Play

Morgarath, the angry, evil ,exiled lord of the bleak, barren Mountains of Rain and Night, has been waiting for fifteen years in his dark realm, carefully planning his revenge against the Kingdom of Araluen. His former fief, known as Gorlan, was long ago brought to ruin as a result of his unsuccessful rebellion against King Duncan. Now he silently plots to rebel again, rallying creatures known as Wargals to his side. Wargals have little will of their own, and are easy to control, therefore being suitable as soldiers in Morgarath’s army. Now, after the fifteen years, Morgarath prepares to unleash his power and attempt to take the Kingdom once more. In Araluen, in the fief Redmont, a special day has come for Will, called Choosing Day, where he becomes an apprentice to a craftmaster. Although Will''s first choice was Battleschool, he becomes apprenticed to Halt of the Rangers. Rangers are the intelligence group of the country and specialize in long range weapons and the art of staying unseen. Will is trained in these skills as he prepares for the annual Ranger meeting called the Gathering which is where his skills will be tested. At the Gathering the Rangers receive a report that the Kalkara, vicious creatures under the control of Morgarath, have killed important Araluen figures. Halt leaves to track down the Kalkara while Will rides for help. The Baron, Sir Rodney, and several others head out to slay the Kalkara and to save Halt. Finding where Halt is battling the Kalkara, Sir Rodney and the Baron manage to slay one, but are badly injured by the other. Suddenly, the last Kalkara is killed by Will with a flaming arrow that burns it because of its highly flammable fur. Back at his fief, Will is considered a hero and receives his bronze oakleaf medal which identifies him as a Rangers Apprentice. On the other hand, Araluen is preparing for a battle with Lord Morgarath.

The Ruins of Gorlan

The novel follows the journeys of three young European boys represented in a circa 1913 or 1914 photograph by August Sander. Two parallel narratives, one in the voice suspected to be the author, whose surname, we learn starts with P, offer contemporary perspectives and illustrate the interconnectedness of events. These voices provide contemporary perspectives on technology -- the major theme of the novel. A series of rather academic essays on the nature of photography, including quotes from Walter Benjamin and Hannah Arendt- in the authorial narrative voice of Mr P - are interspersed with the story. The story begins with the authorial narrative voice of Mr P. first sighting the photograph taken in the months before the outbreak of World War I of three young boys in Germany - a photograph which is titled Three Farmers on their Way to a Dance and which is being exhibited at the Detroit Institute of Arts. The novel follows the fictional fates of these three young men in war time, as well as the stories of Peter Mays, a technical editor for a 1980s electronics magazine and Mr P - the first person narrator of sections of the novel - who is obsessed with the photograph and with concepts of photography and technology. Note that Powers''s later novel Galatea 2.2, published in 1995, uses the first person perspective of semifictional narrator Richard Powers to describe to a large extent the conditions under which Powers wrote Three Farmers on Their Way to a Dance Three Farmers on Their Way to a Dance attempts to balance the technological advancements that caused the large scale deaths in World War I with those that created art for the masses in the form of photography.

Three Farmers on Their Way to a Dance

A ten-year old Jewish boy named Felix escapes from a Catholic orphanage in the mountains of Poland after being left there by his impoverished parents. He returns to his hometown and sees that the town is empty. A mysterious man tells him that all the Jews have gone to the city. On his way to the city he sees a burning house and finds that two adults and a few chickens are dead. He sees a little girl who is unconscious and rescues her. When she awakes she keeps on crying for her mother and father. Felix sees a large number of Jews being led to the city, so Felix joins the group, carrying the girl, whose name is Zelda. He sees that they are being killed on the way. When he gets to the city Nazis are throwing all the children into a van, but he wants to go into the ghetto to find his parents. After Felix and Zelda refuse to go in the van, a man comes and saves them and speaks to the Nazis in German and persuades them to let them go. Felix and Zelda are taken to an underground cellar in the ghetto by the man, whose name is Barney. Not long after, Barney rescues many more kids who may''ve lost their families. There, Felix rests and recovers from the fever he has been trying to ignore. Once he is recovered he goes out with Barney and finds out Barney is a dentist. After the next few days the Nazis find their cellar and they are taken to a train, which is going to a Jewish Death Camp. On the train Felix finds that one of the wooden planks that have been nailed shut are fragile and he breaks it open. He and Zelda and Chaya, a girl also rescued by Barney, jump off the train and manage to survive but sadly, Chaya does not; she was shot by one of the Nazi soldiers that caught them trying to escape.

Once

The book begins as Willard Phule, a multimillionaire, is court-martialed by the Space Legion for ordering the strafing of a treaty signing ceremony. For his punishment, he is given command of an Omega Company full of misfits on Haskin''s Planet, a mining settlement on the edge of settled space. He quickly goes to his duty station and leverages his personal money and a knack for managing people to get the company to come together as a unit. His antics attract the attention of the local and interplanetary press, but create a very cohesive unit of the Legionnaires. When a contract for an honorary duty is awarded to the Regular Army on Haskin''s Planet, Phule convinces the governor to leave the contract up for competition between the Space Legionnaires and the Regular Army. The Army sends some of their most elite troops to take part in the competition, and through an impressive show of cooperation and teamwork, Phule''s company ties the regular troops. In the final episode of the book, Phule''s company encounters lizard-like alien explorers from the Zenobian Empire. Quickly reverting to his business instincts, Phule negotiates a business deal to sell swampland to the creatures in exchange for new technologies. This again enrages some of his superiors, but because of a show of support from the Legionnaires for their commander and a complete conviction of his own innocence, Phule evades court-martial again.

Phule''s Company

Book I: After a brief introduction lamenting the idea of Romans fighting Romans and an ostensibly flattering dedication to Nero, the narrative summarizes background material leading up to the present war and introduces Caesar in northern Italy. Despite an urgent plea from the Spirit of Rome to lay down his arms, Caesar crosses the Rubicon, rallies his troops and marches south to Rome, joined by Curio along the way. The book closes with panic in the city, terrible portents and visions of the disaster to come. Book 2: In a city overcome by despair, old veterans present a lengthy interlude regarding the previous civil war that pitted Marius against Sulla. Cato is introduced as a heroic man of principle; as abhorrent as civil war is, he argues to Brutus that it is better to fight than do nothing. After siding with Pompey – the lesser of two evils – he remarries his ex-wife and heads to the field. Caesar continues south through Italy and is delayed by Domitius'' brave resistance. He attempts a blockade of Pompey at Brundisium, but the general makes a narrow escape to Greece. Book 3: As his ships sail, Pompey is visited in a dream by Julia, his dead wife and Caesar''s daughter. Caesar returns to Rome and plunders the city, while Pompey reviews potential foreign allies. Caesar then heads for Spain, but his troops are detained at the lengthy siege of Massilia (Marseille). The city ultimately falls in a bloody naval battle. Book 4: The first half of this book is occupied with Caesar''s victorious campaign in Spain against Afranius and Petreius. Switching scenes to Pompey, his forces intercept a raft carrying Caesarians, who prefer to kill each other rather than be taken prisoner. The book concludes with Curio launching an African campaign on Caesar''s behalf, where he is defeated and slain by the African King Juba. Book 5: The Senate in exile confirms Pompey the true leader of Rome. Appius consults the Delphic oracle to learn of his fate in the war, and leaves with a misleading prophesy. In Italy, after defusing a mutiny, Caesar marches to Brundisium and sails across the Adriatic to meet Pompey''s army. Only a portion of Caesar''s troops complete the crossing when a storm prevents further transit; he tries to personally send a message back but is himself nearly drowned. Finally, the storm subsides, and the armies face each other at full strength. With battle at hand, Pompey sends his wife to the island of Lesbos. Book 6: Pompey''s troops force Caesar''s armies – featuring the heroic centurion Scaeva – to fall back to Thessaly. Lucan describes the wild Thessalian terrain as the armies wait for battle the next day. The remainder of the book follows Pompey''s son Sextus, who wishes to know the future. He finds the most powerful witch in Thessaly, Erictho, and she reanimates the corpse of a dead soldier in a terrifying ceremony. The soldier predicts Pompey''s defeat and Caesar''s eventual assassination. Book 7: The soldiers are pressing for battle, but Pompey is reluctant until Cicero convinces him to attack. The Caesarians are victorious, and Lucan laments the loss of liberty. Caesar is especially cruel as he mocks the dying Domitius and forbids cremation of the dead Pompeians. The scene is punctuated by a description of wild animals gnawing at the corpses, and a lament from Lucan for Thessalia, infelix – ill-fated Thessaly. Book 8: Pompey himself escapes to Lesbos, reunites with his wife, then goes to Cilicia to consider his options. He decides to enlist aid from Egypt, but the Pharaoh is fearful of retribution from Caesar and plots to murder Pompey when he lands. Pompey suspects treachery; he consoles his wife and rows alone to the shore, meeting his fate with Stoic poise. His headless body is flung into the ocean, but washes up on shore and receives a humble burial from Cordus. Book 9: Pompey''s wife mourns her husband as Cato takes up leadership of the Senate''s cause. He plans to regroup and heroically marches the army across Africa to join forces with King Juba, a trek that occupies most of the middle section of the book. On the way, he passes an oracle but refuses to consult it, citing Stoic principles. Caesar visits Troy and pays respects to his ancestral gods. A short time later he arrives in Egypt; when Pharaoh''s messenger presents him with the head of Pompey, Caesar feigns grief to hide his joy at Pompey''s death. Book 10: Caesar arrives in Egypt, where he is beguiled by the Pharaoh''s sister Cleopatra. A banquet is held; Pothinus, Ptolemy''s cynical and bloodthirsty chief minister, plots an assassination of Caesar but is killed in his surprise attack on the palace. A second attack comes from Ganymede, an Egyptian noble, and the poem breaks off abruptly as Caesar is fighting for his life.

Pharsalia

The week before the 2002 Melbourne Cup, Jason Oliver, Damien’s older brother, was fatally injured in a training accident while riding an unraced horse at Ascot Racecourse in Perth. Taken to Royal Perth Hospital, Jason never regained consciousness and died after being taken off life support. In 1975, while competing in the Boulder Cup at Kalgoorlie, Ray Oliver, Damien and Jason’s father, was involved in a five-horse fall. Knocked unconscious, the jockey was flown from Kalgoorlie to Perth where he too was treated at Royal Perth Hospital. Ray Oliver never regained consciousness and died. His death left his widow, Pat, to look after their two sons: Jason, 5, and Damien, 3. Damien’s decision to return to Melbourne following Jason’s death and compete in the Melbourne Cup captured the attention of his fellow countrymen as well as racing enthusiasts around the world. He dedicated his victory in the 2002 Melbourne Cup to his brother. His winning ride has since been selected by Sport Australia Hall of Fame as one of the most memorable moments in the country’s sporting history. Australian director Simon Wincer wrote the book’s foreword. The first six chapters of The Cup introduce the individuals and the events leading up to the 2002 Melbourne Cup, including background on Dermot Weld (“The Irish Wizard”), Sheikh Mohammed bin Rashid al Maktoum (“The Sheikh”), the race itself (“The Melbourne Cup”), legendary trainer Bart Cummings (“The Cups King”), Dermot Weld’s historic victory in the 1993 Melbourne Cup (“A Vintage Performance”), and the internationalization of the Melbourne Cup (“The World Comes Calling”). The final ten chapters of The Cup focus on the 2002 racing season, including the decision to race Media Puzzle (“The Dark Horse”), Damien Oliver’s background (“The West Australian”), the 2002 Geelong Cup (“A Theatrical Streak”), the great Australian Thoroughbred Northerly (“The Last Best Hope”), Jason Oliver’s accident (“Racing Home”), Jason Oliver’s death and its effects (“Solving the Puzzle”), Damien Oliver’s winless effort on Victoria Derby Day (“Derby Day”), Melbourne Cup Day (“The Boys From the Bush”), the 2002 Melbourne Cup (“The Race That Stopped the Nation”), and the burial of Jason Oliver (“Final Ride”). A brief epilogue follows the principal characters since 2002. Appendices include the Final Field of the 2002 Melbourne Cup, Damien Oliver’s 2002 Melbourne Cup Carnival Results, Melbourne Cup Statistics, and the Cast of Characters.

The Cup

The Stories of Ibis begins with a wandering storyteller who encounters Ibis. He has the mindset that all robots are a threat to humanity and must be fought against for survival. He attacks the robot Ibis, not aware of who she is, as a result of his mindset. Ibis tells the storyteller that she is far more proficient in battle. During the battle the storyteller becomes injured and Ibis takes him to an android hospital to care for him. While he is recovering Ibis offers to tell him stories. While originally skeptical he agrees after Ibis makes it clear that the stories are not taboo. The space after each story is referred to as intermission and is a time for Ibis to comment on the story she just told. The story is about a group of friends who are writing a science fiction story over the internet. One of the group members kills someone in real life. The rest of the short story is about how the group fights to convince this man to not commit suicide, but to turn himself in. He resolves to turn himself in, being hopeful to the future because he knows he has friends who care about him. The ending words of the story are a commentary. While the story they were writing was not real, the emotions they were feeling were real. This is another story about human interactions over the internet. The device that allows people to enter virtual reality (VR) is MUGEN Net. Such devices are extremely expensive and most people need to go to a public server to use one. However the girl''s parents in this story are wealthy enough to own one. This girl is shopping in VR when a boy meets her and asks her out for ice cream. All goes well and they plan for another. After some time of VR dating they agree to meet up in real life. Another story about human interactions over the internet. A short story about an artificial intelligence that grows over time with human interaction. The inspiration for this story was Ray Bradbury''s I Sing the Body Electric (Bradbury). The mirror girl Shalice starts off with basic knowledge and by interacting with her owner develops. The owner grows up and marries a technician who incubates Shalice by teaching her in the virtual world at many thousand times faster than average life. When he is done, Strong Eye is created. Strong Eye is the fully developed and completely intelligent AI. A futuristic story about an artificial space station and people who go diving into a black hole. The space station cannot stop people but is sorry that they go to their deaths because none of them get past the event horizon. Then one girl comes who has the space ship, the training, and the research necessary to attempt to dive into the black hole. As she goes into the black hole the space station can no longer observe. She may have made it, she could have been destroyed. An anime flavored story about the intelligence of people being scanned onto a computer network. The AIs in the network fight crime and live repeating lives. At the end of each year they start anew, but different story lines. Thousands of ''extras'' populate the network and are the ones subject to harm and deletion. The protagonist has a pen pal in real life who explains to her that the real world is under attack and that there are no respawns and no extras. The AI finds this so cruel that people would willingly kill each other when they can''t come back. The stories leading up to this were all relatively short. This and the next took up over 100 pages each. This is a story about an android named Shion who works in a Japanese nursing facility. Shion comes with only extensive nursing training but lacks the knowledge of how to communicate with the residents. After months of training she informs her adviser that she believes all humans have dementia, which explains their irrational behavior. Near the end of the story one of the residents threatens suicide but Shion convinces him to step down and be rational. The culminating story of the entire novel. It is about Ibis herself. She starts off as a virtual reality fighting program and overtime develops intelligence. Her master gains enough funds to create her a body in the real world or level 0. There is significant hate against TAIs (True Artificial Intelligence) in the real world. Ibis and her friend Raven rebel against their masters to make a point. Human hatred was destroying them. After many years robots took prevalence and most humans realized they were not worthy to be the guardians of Earth and died in peace. The remaining population was stubborn and fought against the robots for centuries. The storyteller is a child of this generation, being raised in hatred and ignorance. The robots sought to take him captive, and teach him the truth so that he could go to the villages where people lived and teach them the truth. The whole point was they cared for the humans and wanted them to live in peace, rather than fighting for their survival.

The Stories of Ibis

By the mid-1980s the Soviet Politburo comes to the consensus that the country''s economy is stagnating and its military may not retain superiority over the West for much longer. It would therefore be in the interests of the Soviet Union to invade Western Europe with a short, sharp blow, and then sue for peace from a position of strength. The Politburo deliberates two options involving a sudden barrage of nuclear weapons against Western targets, but realizing the risk of nuclear war they decide to opt for a third strategy involving conventional forces. The catalyst for conflict comes in July 1985, when an American Marine unit intervenes against a Soviet incursion into Yugoslavia. In response, the Warsaw Pact mobilizes and subsequently launches a full scale invasion of Western Europe on the 4th of August 1985 (the anniversary of the start of the First World War). Soviet forces thrust through West Germany towards the Rhine, and also land forces in northern Norway and Turkey. Attacks are also carried out using long range strategic bombing, naval forces and even killer satellites in space. The Soviet juggernaut quickly loses steam. Stiff resistance by NATO, aided by France and Sweden, eventually foils the Soviet invasion, and Warsaw Pact forces get no further West than the German town of Krefeld in the Ruhr by around August 15. Norway is also invaded, causing Sweden to enter the war when it refuses to allow overflight rights to the Soviet air force. From mid-August the capacity of the Soviet Union to wage war is significantly undermined by desertion of some of its demoralized allies, internal dissent at home and its own forces mutinying. Outside Europe the Americans bomb Cuba, the Chinese invade Vietnam and overthrow its government, Egypt invades Libya, Japan seizes the Kurile islands, and the Soviet Navy and merchant fleet is permanently neutralized. To prove to the world that they are still a force to be reckoned with, the Soviets launch a nuclear missile strike against Birmingham, England. The West retaliates with a similar strike on Minsk, which accelerates the collapse of Soviet control in its satellite states. A coup d''etat led by Ukrainian nationalists overthrows the Soviet Politburo, which leads decisively down the path to the end of the threat posed by the Soviet Union. The ruins of Birmingham and Minsk are eventually turned into war memorials fronted by immense causeways, with the memorials respectively called Peace City West and Peace City East. German reunification is opposed by both sides after the war, and does not have any particular support in the Germanies themselves as they have developed separate national identities. In The Untold Story a separate chapter is devoted to an alternative, more pessimistic scenario, written in the form of radio transcripts and newspaper editorials. NATO forces are unable to defend West Germany, and after the Netherlands falls, the West sues for peace. Despite not being occupied, Britain is forced to accept a set of conditions which allows the Soviet Union to effectively control its military, economy and political institutions. This chapter is not included in the Macmillan edition.

Over 8000 Takeaways For Your Brain!

Read - Listen - Learn

The Secret Panel

By Franklin W. Dixon

The Blood Ring

No Author Listed

Soul Mountain

By Gao Xingjian

Play

By Samuel Beckett

The Ruins of Gorlan

By John Flanagan

Three Farmers on Their Way to a Dance

No Author Listed

Once

By Morris Gleitzman

Phule's Company

By Robert Asprin

Pharsalia

By Lucan

The Cup

No Author Listed

The Stories of Ibis

No Author Listed

The Third World War: The Untold Story

By John Winthrop Hackett Junior