As a teenager, Mort had a personality and temperament that made him rather unsuited to the family farming business. Mort''s father, named Lezek, felt that Mort thought too much, which prevented him from achieving anything practical. Thus, Lezek took him to a local hiring fair, hoping that Mort would land an apprenticeship with some tradesman; not only would this provide a job for his son, but it would also make his son''s propensity towards thinking someone else''s problem. At the job fair, Mort at first has no luck attracting the interest of an employer. Then, just before the stroke of midnight, a man concealed in a black cloak arrives on a white horse. He says he is looking for a young man to assist him in his work and selects Mort for the job. The man turns out to be Death, and Mort is given an apprenticeship in ushering souls into the next world (though his father thinks he''s been apprenticed to an undertaker). When it is a princess'' time to die (according to a preconceived reality), Mort, instead of ushering her soul, saves her from death, dramatically altering a part of the Discworld''s reality. However, the princess, for whom Mort has a developing infatuation, does not have long to live, and he must try to save her, once again, from a seemingly unstoppable death. Both the princess and Mort end up consulting the local wizard, Igneous Cutwell, for various methods of assistance with the crisis. As Mort begins to do most of Death''s "Duty", he loses some of his former character traits, and essentially starts to become more like Death himself. Death, in turn, yearns to relish what being human is truly like and travels to Ankh-Morpork to indulge in new experiences and attempt to feel real human emotion. Conclusively, Mort must duel Death for Mort''s freedom. Though Death wins the duel, he spares Mort''s life and sends him back to the Disc. The princess is saved from a second death when the alternate reality Mort created is reduced to a pearl-like state. This pearl is given to Mort for safe-keeping. At the end of the novel, Mort marries Ysabell, Death''s adopted daughter.

Mort

Living in New York, Gus Bailey, a writer for Park Avenue, a monthly magazine, takes a last look as an insider into the affairs of the rich and famous. As a popular guest at parties people talk to him, but with his writings he has made enemies. Thus he is sued by former congressman Kyle Cramden for slander for falsely linking him to the murder of a female intern, he is facing the potential vengeance of Elias Renthal, a finacier about to be released from prison, and he is being investigated by Perla Zacharias, the third richest woman in the world, who has been unhappy about Gus'' interest in the circumstances of the death of her banker-husband in a mysterious fire at his penthouse. Gus interacts with members of New York high society, among them Lil Altemus who at the age of 76 starts working as a real estate agent to improve her financial situation, Ruby Renthal, Elias'' wife who prepares for her husband''s return into society, and Addison Kent, the kleptomane "walker" of Perla Zacharias, and attends the funeral of its Grand Old Dame, the 105 year-old Adele Harcourt. Gus''s life is coming to an end, too; he learns that he has cancer. Perla is aware that Gus is about to write a novel based on her life and determined to stop it. She links up with his enemies, seems to employ Mossad agents, places a rumor that he is a pedophile, and pressures his publisher to back out of the project. Through philanthropic lavishness she is trying to "buy" herself into the high strata of society. Refuting the ugly rumor Gus "comes out" about his former bisexuality, and claims to have been celibate for two decades. He settles the law suit, amends with the Renthals, and finds a new backer for his book to proceed with his final project.

Too Much Money

A Christmas Memory" is about a young boy, referred to as "Buddy," and his older cousin, who is unnamed in the story but is called Sook in later adaptations. The boy is the narrator, and his older cousin — who is eccentric and childlike — is his best friend. They live in a house with other relatives, who are authoritative and stern, and have a dog named Queenie. The family is very poor, but Buddy looks forward to Christmas every year nevertheless, and he and his elderly cousin save their pennies for this occasion. Every year at Christmastime, Buddy and his friend collect pecans and buy whiskey — from a scary American Indian bootlegger named Haha Jones — and many other ingredients to make fruitcakes. They send the cakes to acquaintances they have met only once or twice, and to people they''ve never met at all, like President Franklin Delano Roosevelt. This year, after the two have finished the elaborate four-day production of making fruitcakes, the elderly cousin decides to celebrate by finishing off the remaining whiskey in the bottle. This leads to the two of them becoming drunk, and being severely reprimanded by angry relatives. The next day Buddy and his friend go to a faraway grove, which the elderly cousin has proclaimed the best place, by far, to chop down Christmas trees. They manage to take back a large and beautiful tree, despite the arduous trek back home. They spend the following days making decorations for the tree and presents for the relatives, Queenie, and each other. Buddy and the older cousin keep their gifts to each other a secret, although Buddy assumes his friend has made him a kite, as she has every year. He has made her a kite, too. Come Christmas morning, the two of them are up at the crack of dawn, anxious to open their presents. Buddy is extremely disappointed, having received the rather dismal gifts of old hand-me-downs and a subscription to a religious magazine. His friend has gotten the somewhat better gifts of Satsuma oranges and hand-knitted scarves. Queenie gets a bone. Then they exchange their joyful presents to each other: the two kites. In a beautiful hidden meadow, they fly the kites that day in the clear winter sky, while eating the older cousin''s Christmas oranges. The elderly cousin thinks of this as heaven, and says that God and heaven must be like this. It is their last Christmas together. The following year, the boy is sent to military school. Although Buddy and his friend keep up a constant correspondence, this is unable to last because his elderly cousin suffers more and more the ravages of old age, and slips into dementia. Soon, she is unable to remember who Buddy is, and not long after, she passes away. As Buddy says later: "And when that happens, I know it. A message saying so merely confirms a piece of news some secret vein had already received, severing me from an irreplaceable part of myself, letting it loose like a kite string. That is why, walking across a school campus on this particular December morning, I keep searching the sky. As if I expected to see, rather like hearts, a lost pair of kites hurrying towards heaven.

A Christmas Memory

It has been a year since Balsa protected the egg of the Water Spirit from Rarunga. Balsa is traveling through caves in the Misty Blue Mountains on her way home to Kanbal. In the caves she smells a lantern and discovers the siblings Gina and Kassa defending themselves from a strange creature that Balsa drives off. It leaves behind a rare stone that is extremely valuable, luisha. Balsa sends the pair on their way. Despite attempting to cover up the event, Kassa and Gina are forced to tell the truth to the clan chief Kaguro, and his brother Yuguro a national hero and leader of the King''s Spears, the elite generals of Kanbal. Yuguro sends soldiers to capture Balsa with orders to kill her on the way back. Balsa is staying with her aunt Yuka where she learns that King Rogsam blamed Jiguro for the death of his brother, King Nuguru and Jiguro is a national disgrace. Yuguro became a hero because he claimed to have killed Jiguro. Balsa knows this is a lie—they never fought each other. While staying with Yuka, Balsa is captured and poisoned. She escapes and saves a strange creature from harm. In return, the creature brings help for Balsa in the form of the herder people and their chief, Toto. As Balsa heals, the Giving Ceremony is about to begin. Kanbal is a poor land. Once every ten years, the Mountain King throws open the door to his realm. The King of Kanbal and the King''s Spears descended into the mountain. They battle each other and the strongest becomes the Dancer. The Dancer faces the strongest hyohlu warrior of the Mountain King to gain the luisha Kanbal needs to survive. Further details of the ceremony have been lost. The Giving Ceremony has been delayed many years and Kanbal is in danger of starvation. King Radalle and Yuguro are planning to use the ritual to conquer the Mountain King and take all the luisha. Toto of the Herder People tells Balsa that such an act would end in failure and ensure Kanbal''s destruction and she must stop it. They recruit Kassa to their side and visit Chief Laloog of the Yonsa, the only one still alive who knows the truth of the Giving Ceremony. Balsa convinces him to break his vow of silence and Laloog drafts a letter revealing the truth of the Ceremony and begging the king to abandon the plan. The Giving Ceremony begins and Yuguro defeats the others to become the Dancer. Balsa and Kassa emerge from hiding to read Laloog''s letter and beg the king to abandon the plan as the hyohlu arrive. Yuguro convinces the king to ignore them and Balsa defeats him as the truth of the Ceremony is revealed: The hyohlu are the guardians spirits of the previous ceremony''s human participants. The room is plunged into darkness and the strongest hyohlu appears: Jiguro Musa. Jiguro is about to kill Yuguro when Balsa challenges her foster father to battle. She completes the ceremony as the Dancer, the truth of the luisha is revealed, and Kanbal is saved. Afterward Balsa leaves Kanbal to return to Tanda. When Balsa dies, will her spirit return to Kanbal as a Guardian of the Darkness?

Moribito II: Guardian of Darkness

Pietro Zastrozzi, an outlaw, and his two servants, Bernardo and Ugo, disguised in masks, abduct Verezzi from the inn near Munich where he lives and take him to a cavern hideout. Verezzi is locked in a room with an iron door. Chains are placed around his waist and limbs and he is attached to the wall. Verezzi is able to escape and to flee his abductors, running away to Passau in Lower Bavaria. Claudine, an elderly woman, allows Verezzi to stay at her cottage. Verezzi saves Matilda from jumping off of a bridge. She befriends him. Matilda seeks to persuade Verezzi to marry her. Verezzi, however, is in love with Julia. Matilda provides lodging for Verezzi at her castle or mansion estate near Venice. Her tireless efforts to seduce him are unsuccessful. Zastrozzi concocts a plan to torture and to torment Verezzi. He spreads a false rumor that Julia has died, exclaiming to Matilda: "Would Julia of Strobazzo''s heart was reeking on my dagger!" Verezzi is convinced that Julia is dead. Distraught and emotionally shattered, he then relents and offers to marry Matilda. The truth is revealed that Julia is still alive. Verezzi is so distressed at his betrayal that he kills himself. Matilda kills Julia in retaliation. Zastrozzi and Matilda are arrested for murder. Matilda repents. Zastrozzi, however, remains defiant before an inquisition. He is tried, convicted, and sentenced to death. Zastrozzi confesses that he sought revenge against Verezzi because Verezzi''s father had deserted his mother, Olivia, who died young, destitute, and in poverty. Zastrozzi blamed his father for the death of his mother, who died before she was thirty. Zastrozzi sought revenge against not only his own father, whom he murdered, but also against "his progeny for ever", his son Verezzi. Verezzi and Zastrozzi had the same father. By murdering his own father, Zastrozzi only killed his corporeal body. By manipulating Verezzi into committing suicide, however, Zastrozzi confessed that his objective was to achieve the eternal damnation of Verezzi''s soul based on the proscription of the Christian religion against suicide. Zastrozzi, an outspoken atheist, goes to his death on the rack rejecting and renouncing religion and morality "with a wild convulsive laugh of exulting revenge".

Zastrozzi

McLuhan is concerned by the size and the intentions of the North American culture industry. "Ours is the first age in which many thousands of the best-trained individual minds have made it a full-time business to get inside the collective public mind," McLuhan writes in his preface to the book. He believes everyone is kept in a "helpless state endgendered by prolonged mental rutting is the effect of many ads and much entertainment alike." McLuhan hopes Bride can reverse this process. By using artefacts of popular culture as a means to enlighten the public, McLuhan hopes the public can consciously observe the effects of popular culture on them. McLuhan compares his method to the sailor in Edgar Allan Poe''s short-story "A Descent into the Maelstrom." The sailor, McLuhan writes, saves himself by studying the whirlpool and by co-operating with it. Likewise, the book is not interested in attacking the strong currents of advertising, radio, and the press. The book argues anger and outrage are not the proper responses to the culture industry. "The time for anger...is in the early stages of a new process," McLuhan says, "the present stage is extremely advanced." Amusement is the proper strategy. This is why McLuhan uses punning questions that border on silly or absurd after each visual example. On the technique of amusement McLuhan quotes Poe''s sailor, when he''s locked into the whirlpool''s walls looking at floating objects: :"I must have been delirious, for I even sought amusement in speculating upon the relative velocities of their several descents towards the foam below." [italics original] This amusement, McLuhan argues, born "of his rational detachment as a spectator of his own situation," saved the sailor''s life. By adopting the position of Poe''s sailor, readers of Bride can escape from the whirlpool of popular culture.

The Mechanical Bride: Folklore of Industrial Man

Stoddard’s novel traces the education and development of a young female in American middle-class society. The protagonist, Cassandra Morgeson, is educated by a series of journeys she makes throughout her youth and early adulthood. Each new setting represents a different stage in her intellectual development. Cassandra is born in Surrey, a small New England town. Surrey is quiet and isolated, granting a young woman little intellectual stimulation. Cassandra escapes the boredom of domestic life through stories of adventure and exploration. Surrey instills in Cassandra a restlessness that drives her quest for knowledge and experience. At the age of thirteen, Cassandra’s parents send her to live with her grandfather in Barmouth. Excessively religious, Grandfather Warren takes it upon himself to put Cassandra in her place. She is both intellectually and emotionally starved in Barmouth. Her life becomes narrowed down to home, school and church. In school, all the students dress alike and wear their hair in the same fashion. She learns an important lesson in conformity (peer pressure). When Cassandra turns eighteen she is invited to stay with some cousins in Rosville. Rosville offers her a glimpse of city life. She attends numerous balls, whist parties and shopping sprees in Boston. She also falls in love with her cousin Charles. Charles’s dark sensuality and power awakens Cassandra’s sexuality, which is an integral part in her self-discovery. Cassandra quickly finds herself caught up in a passionate, adulterous love affair. Their affair is cut short in a tragic accident that costs Charles his life. Cassandra escapes with a scar across her face, which remains with her as a constant reminder of the affair. Cassandra then travels to Belem, a city of wealth and nobility. She stays in the home of her friend, Ben Somers. In Belem she is forced to confront the social injustice of class. Here she falls for Ben’s brother, Desmond. Desmond sees into Cassandra’s heart through the scar on her face. He finds in Cassandra a reason to reform himself and conquer his alcoholism. He promises himself to her and then goes off to Spain to cure his addiction. Upon her return to Surrey, Cassandra discovers that her mother has died. As the eldest and most capable daughter, the role of lady of the house is passed down to her. She becomes responsible for managing the household and taking care of her younger sister, Veronica. Cassandra resents her inherited role and envisions the rest of her days spent in monotony and misery. Her sister, Veronica, marries the wealthy but alcoholic Ben Somers. Two years after they are married, Ben dies of alcoholism, leaving Veronica to look after their child who “…never cries, never moves, except when it is moved” (252). Some critics see this child as a physical representation of how Veronica’s search for independence and autonomy has been stunted by her marriage. In the close of the novel “her eyes go no more in quest of something beyond” (252). Cassandra marries the newly-reformed Desmond. Her quest for self-definition does not end with marriage though. Cassandra narrates the closing pages of the novel from her desk. She is in the process of writing her life story. Writing allows Cassandra to take an active role in defining herself. Her novel helps her to assert her autonomy and achieve her goal of self-possession.

The Morgesons

The novel opens with the civilian Dr. Catherine Halsey and Lieutenant Jacob Keyes traveling to meet John, a six-year-old boy. Dr. Halsey reveals to Keyes that John is one of 150 children who possess rare genetic markers making them suitable for conscription into the SPARTAN-II program, a secret experiment with the aim of creating super soldiers for the UNSC to quell rebellions. Seventy-five of the children are kidnapped by operatives of the Office of Naval Intelligence and replaced by clones engineered to die of natural causes shortly thereafter. From this point on, the recruits are known only by their first name and a three digit number. John-117 and the rest of the children are drilled and trained by Franklin Mendez; John demonstrates leadership of his fellow Spartans leading to his promotion to squad leader. In 2525, the Spartans undergo a series of surgical enhancements which turn them into highly efficient super soldiers at the cost of crippling or killing more than half of the original seventy-five. The Spartans are also equipped with powerful MJOLNIR battle armor, designed to respond as quickly as the soldier''s thoughts. John-117 is given the rank of Master Chief Petty Officer. The Spartans are highly successful, but they experience a priority shift after a collective of alien races known as the Covenant begin obliterating human colonies, declaring humanity''s destruction as the will of the gods. Mendez leaves the group to train the next generation of Spartans as John and his comrades first face the Covenant. By 2552, the war against the Covenant is going poorly. The technological superiority of the Covenant means that space battles heavily favor the Covenant, and the UNSC can only win engagements by suffering tremendous losses. To prevent the discovery of Earth or other human colonies, Vice Admiral Cole creates the "Cole Protocol", which forbids direct slipspace jumps to Earth or any other population center and mandates the destruction of a ship before it can be captured by the Covenant. Jacob Keyes, now commander of the destroyer Iroquois, discovers four Covenant ships arriving at the Sigma Octanus System, and single-handedly destroys three of them; his heroics earn Keyes the rank of Captain. The Covenant proceed to overrun Sigma Octanus IV, searching for a mysterious ancient artifact. Despite a costly fight, the humans manage to repel the Covenant, and Keyes intercepts a coded Covenant transmission from the surface before the Covenant retreat. The Iroquois heads to Reach, unwittingly bringing a Covenant tracking device with it. Soon after, Keyes is given the command of the UNSC cruiser Pillar of Autumn for a secret mission; the Spartans are to capture one of the Covenant''s religious leaders and barter a truce. Dr. Halsey also introduces John to the artificial intelligence Cortana, who would assist the Spartans by residing in their MJOLNIR armor. Before the mission can begin, however, Reach is attacked by a massive Covenant fleet. John and Cortana reach the Pillar of Autumn, but most of the other Spartans are presumed killed as the Covenant vitrify the surface of Reach, turning the landmasses into glass. Cortana initiates a slipspace course based on the ancient glyphs intercepted by the Covenant at Sigma Octanus, the course takes them to a massive ringworld known as Halo, setting the stage for the events of Halo: Combat Evolved.

Halo: The Fall of Reach

The play presents three plots centered around the marriage of Moll Yellowhammer, the titular maid, who is daughter to a wealthy Cheapside goldsmith. Moll loves Touchwood Junior, a poor gallant; her father, however, has betrothed her to Sir Walter Whorehound, a philandering knight eager for Moll''s dowry. As a kind of side-bargain, Sir Walter has promised Moll''s brother Tim a "landed niece" from Wales. Tim, a fatuous scholar, returns to London from Cambridge University with his Latin tutor. This "landed niece" is in reality one of Sir Walter''s mistresses, who has no land in actuality. Sir Walter is also having an affair with the wife of Allwit, a knowing cuckold, or wittol, who lives on the money Sir Walter gives his wife. Meanwhile, Touchwood Senior (the elder brother of Moll''s true love) prepares to depart from his wife; prodigiously fertile, he impregnates any woman he sleeps with. He and his wife must separate to avoid another pregnancy. His salvation comes from the Kixes, an aging couple who have not been able to conceive. This is important because if they have a child before Sir Walter (a relation of theirs) begets a legitimate heir, they will inherit Sir Walter''s fortune. A maid tells the Kixes that Touchwood makes a special fertility potion; Touchwood deceives his way into the bed of Lady Kix. After an abortive attempt to elope with Touchwood Junior, Moll is guarded at home. The day before the wedding, Moll flees her parents'' home. Caught while attempting to cross the Thames, she is drenched and seems to fall sick upon being brought home. Touchwood Junior and Sir Walter fight in the street, and both are wounded. Sir Walter believes that he is near death. At Allwit''s house, he repents all of his sins, condemning the Allwits for indulging him. When news is brought that Lady Kix is pregnant (thus ruining Sir Walter''s prospects), the Allwits kick him out and plan to sell all Sir Walter''s gifts and purchase a home in The Strand. Moll continues very sick; when Touchwood Senior brings word that his brother has died, she faints and appears to die. Saddened, the Yellowhammers agree to Touchwood Senior''s request that the young lovers receive a joint burial. At the funeral, Moll and Touchwood Junior rise from their coffins and the mourning turns to celebration. The two are wed, as Tim and the Welsh "niece" had been earlier that day; Kix promises to support the family of Touchwood Senior, who announces that Sir Walter has been imprisoned for debt. All exit, headed for a celebratory dinner.

A Chaste Maid in Cheapside

Artemis Fowl II, the 13-year-old criminal mastermind, has created a supercomputer which he calls the "C Cube", from stolen fairy technology. It far surpasses any human technology made so far. When Fowl meets Chicago businessman Jon Spiro to show him the Cube, Spiro ambushes Artemis and steals it. In the process, Butler, his bodyguard is killed by one of Spiro''s staff. However, Artemis manages to revive him with the aid of cryogenics and fairy healing magic, courtesy of Captain Holly Short of the LEPrecon squad. After Butler is revived, Artemis convinces the LEP to track down the Cube. They agree on one condition: that Artemis'' mind is to be wiped later. They head to The Spiro Needle, where Jon Spiro has held the Cube. The Cube is recovered with the aid of Butler''s sister and Mulch Diggums, who is later incarcerated. Nearing the end of the book, Mulch discovers that Artemis has cleared him of all charges and tasked him with restoring Artemis'' memory, which is wiped at the end. In the epilogue, it is revealed that the LEP questioned him to reveal any plans he had to retain his memory, but he managed to fool them, and his plans remained secret from the LEP.

Artemis Fowl: The Eternity Code

Whitaker begins by showing that the antipsychotics, benzodiazepines and antidepressants were discovered as side effects during research for antihistamines (specifically promethazine), gram negative antibiotics (specifically mephenesin) and the anti-tuberculosis agents isoniazid and iproniazid respectively. The psychiatric mechanisms of action of these drugs were not known at the time and these were initially called major tranquilizers (now typical antipsychotics) due to their induction of "euphoric quietiude"; minor tranquilizers (now benzodiazepines) and psychic energizers (now antidepressants) due to patients "dancing in the wards." These compounds were developed during a period of growth for the pharmaceutical industry bolstered by the 1951 Durham-Humphrey Amendment, giving physicians monopolistic prescribing rights thus aligning the interests of physicians and pharmaceutical companies. This also followed the industry''s development of "magic bullets" that treat people with, for example, diabetes, which provided an analogy to sell the idea of these drugs to the public. It was not until many years later, after the mechanisms of these drugs were determined, that the serotonergic hypothesis of depression and dopaminergic hypothesis of schizophrenia were developed to fall in line with the drug''s mechanisms. According to Whitaker''s analysis of the primary literature lower levels of serotonin and higher levels of dopmine "have proved to be true in patients WITH prior exposure to antidepressants or antipsychotics (ie as homeostatic mechanisms) but NOT in patients without prior exposure." Another means by which he undermines the magic bullet theory is that he shows that the historical notion that the "invention of the antipsychotic Thorazine" having emptied the asylums is a myth. His case begins by showing that during the late 1940s and 1950s ~75% of cases admitted for first episode schizophrenia recovered to the community by approximately 3 years (Thorazine was not released until 1955). He then notes that the arrival of Thorazine did not improve discharge rates in the 1950s for people newly diagnosed with schizophrenia. In fact, based on the only large scale first episode schizophrenia study of this era, 88% of those who were not treated were discharged within eighteen months compared to 74% of neuroleptic treated. This is additionally evidenced by the fact that when Thorazine was introduced in 1955 there were 267 thousand schizophrenia patients in state and county mental hospitals, and eight years later, there were 253 thousand, thus indicating that the advent of neuroleptics barely budged the number of hospitalized patients. What he argues actually cleared the asylums was the beginning of Medicare and Medicaid in 1965. These programs provided federal subsidies for nursing home care but no such subsidy for care in state mental hospitals, and so the states, seeking to save money, naturally began shipping their chronic patients to nursing homes. Whitaker favors psychiatric medications but believes that they must be used in a "selective, cautious manner. It should be understood that they’re not fixing any chemical imbalances. And honestly, they should be used on a short-term basis." Whitaker traces the effects of what looks like an iatrogenic epidemic: the drugs that patients receive can perturb their normal brain function. Whitaker suggests that the "wonder drug" glow around the second generation psychotropics has long since disappeared. He views the "hyping" of the top-selling atypical antipsychotics as "one of the more embarrassing episodes in psychiatry''s history, as one government study after another failed to find that they were any better than the first-generation anti-psychotics." One of Whitaker''s solutions is the style of care documented by professor Jaakko Seikkula at Keropudas Hospital in Tornio in Lapland where drugs are given to patients only on a limited basis, with good outcomes. According to Whitaker, the district has the lowest per capita spending on mental health of all health districts in Finland. He also advocates that those with depression engage in exercise. Exercise for depression is so successful that in the UK the doctor may write a prescription for exercise. In fact, studies have shown that exercise produces a "substantial improvement" within six weeks, that its effect size is "large," and that 70% of all depressed patients respond to an exercise program. "These success rates are quite remarkable," German investigators wrote in 2008. Whitaker sees that children are vulnerable to being prescribed a lifetime of drugs. As the author says, a psychiatrist and parents may give a child a "cocktail" to force him or her to behave. Then when this child grows up to eighteen, Whitaker says he or she becomes a disabled adult.

Anatomy of an Epidemic

Alice from Alice''s Adventures in Wonderland (now grey-haired, and called "Lady Fairchild"), Dorothy from The Wizard of Oz (now in her 20s) and Wendy from Peter Pan (now in her 30s, and married to a man in his 50s named Harold Potter) are visiting the expensive mountain resort "Hotel Himmelgarten" in Austria on the eve of World War I (1913–1914). The women meet by chance and begin to exchange erotic stories from their pasts. The stories are based on the childhood fantasy worlds of the three women: *Wendy Durling. Wendy''s sexual escapades begin when she meets a homeless teenage boy named Peter and his sister Annabel in Kensington Gardens. Peter follows the three siblings home and teaches them sexual games, and the siblings begin regular meetings with Peter and his group of homeless boys in the park for sex. These encounters are watched by The Captain, a co-worker of Wendy''s father, who later hires Peter as a male prostitute and brutally rapes Annabel. He attacks Wendy, who escapes by confronting him with his fear of aging. She only sees Peter once more, hustling in a train station. She marries the much older Harold Potter because she is not attracted to him, and would not have to think about enjoying sex ever again. *Dorothy Gale. While trapped in her house during a cyclone, she begins masturbating and experiences her first orgasm at the age of sixteen. She has sexual encounters with three farm hands whom she refers to as The Straw Man, The Cowardly Lion and The Tin Man. Throughout most of her stories, she refers to her "aunt" and "uncle", whom she later admits were her step-mother and father, who discover her affairs. Her father takes her to New York City, under the pretense of seeking psychological help, but has sex with her repeatedly while they are in the city. Dorothy feels guilty of destroying her father''s marriage, and leaves to travel the world. *Alice Fairchild. At fourteen, Alice is coerced into sex with her father''s friend, which she endures by staring into a mirror and imagines she is having sex with herself. At an all-girls boarding school, Alice convinces many of her schoolmates to sleep with her, and develops a strong attraction to her P.E. teacher, who offers Alice a job as a personal assistant (and sexual plaything) when she leaves employment at the school. Alice''s employer marries a Mr. Redman, but begins hosting extravagant, drug-fueled lesbian sex parties. Alice becomes addicted to opium, and watches a young girl named Lily, among many others, abused just as she was. When Lily is instructed by Mrs. Redman to secretly perform cunnilingus on Alice under the table during a dinner party, Alice exposes her employer''s secrets to the guests. Mrs. Redman has Alice declared insane, and she is put into a mental hospital where she is systematically raped by the staff. Upon release Alice resumes her lesbian activity and drug use. Disowned by her family, she moves to Africa to run a family-owned diamond mine. In addition to the three women''s erotic flashbacks, the graphic novel depicts sexual encounters between the women and other guests and staff of the hotel. The erotic adventures are set against the backdrop of unsettling cultural and historic events of the period, such as the debut of Igor Stravinsky''s The Rite of Spring and the assassination of Archduke Franz Ferdinand. The graphic novel ends with Alice''s mirror being destroyed by German soldiers who burn down the Hotel.

Over 8000 Takeaways For Your Brain!

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Mort

By Terry Pratchett

Too Much Money

By Dominick Dunne

A Christmas Memory

By Truman Capote

Moribito II: Guardian of Darkness

By Nahoko Uehashi

Zastrozzi

By Percy Bysshe Shelley

The Mechanical Bride: Folklore of Industrial Man

By Marshall McLuhan

The Morgesons

By Elizabeth Drew Stoddard

Halo: The Fall of Reach

By Eric S. Nylund

A Chaste Maid in Cheapside

By Thomas Middleton

Artemis Fowl: The Eternity Code

By Eoin Colfer

Anatomy of an Epidemic

No Author Listed

Lost Girls

By Alan Moore