In this book, told in first-person narrative, the lead character—an unnamed Catholic priest—volunteers to playtest a new type of computer game for a relative. Called Duke and Duchess (though the title is changed to God Game at the end of the book), it puts the player in the role of God for a small swords and sorcery world. However, after a violent lightning storm, the narrator discovers that the game''s crude CGA graphics have become live video, and that he is now responsible for the inhabitants of a small, but very real, world somewhere else in space and time—a world that threatens to run away from his control and into total chaos. Cast, reluctantly, into the role of God, the narrator, not to be confused with the narrator''s author who also provides commentary, the priest strives to create peace between the two warring sides. He finds that both sides pray to him or to the Other Person, aka, God. His closest ally in trying to create this peace is Ranora, an ilel - something of a cross between a fairy and an angel- who has been assigned to the Duke, but dances wherever she wishes to go. The priest finds that it is "hell being God," as most of his characters, even when obeying, create further problems for him. Minor characters want to be major ones, then change their mind, and since he is not God, and lacks omniscience, he cannot always predict that outcome of his directives. There is comic relief provided by groups of dissidents who try to sabotage god''s plans, which are always smote by "divine" wrath. At times, characters cross Planck''s Wall to speak to him directly in his home, and he finds evidence that they were actually there, not mere figments. Finally, he is able to broker peace and thinks he can walk away from the game, but when he turns his back, those opposed to peace strive to undo all his good work. Ranora crosses the Wall to implore him to return, and it takes a miracle to save the Duke''s life, for the bad guys have convinced the Duchess he needs to be sacrificed in a pagan ritual. The minor characters will get their prayers answered as they become major ones and learn how much the Lord Their God loves them.

God Game

It is discovered that young Orb, the Aunt of Luna, has the gift of conjuring natural music that emanates from things in nature. She sets off on a quest for a magical song known as the Llano, a song supposed to be the most beautiful imaginable. During the beginning of her search, she meets and helps a young Gypsy girl who was blind, teaching her song and dance as such most men never see. She also joins up with a circus for a short time, meeting there the man that would later become War, and realizing after his unwanted departure that she is pregnant with his child. Upon having his child, she takes the baby, the young Orlene, to her Gypsy friend with the understanding that the woman would find her daughter the best possible home. Later on, she joins up with a rock and roll band. Her magical singing allows them to lose their drug addictions, and they quest together until she is approached by her mother, Niobe (who had left her office to have her with Pacian, thus effectively making Orb the aunt of Luna as well as her cousin through their fathers), in the guise of Fate. She is told that she has been selected to fill the role of Nature (Gaea), but that a prophecy foretells that she may one day marry Satan. Satan, attempting to fulfill the prophecy, kidnaps Orb and attempts to use magic to compel Orb to marry him. She frees herself with the help of Natasha, a man who has also been seeking the Llano and has learned much of it. Natasha continues to teach her the Llano as they defend themselves from Satan''s attacks. Orb learns that the Llano has the power to control Nature and that she must learn it in order to assume her position. She also finds herself falling in love with Natasha and decides to marry him. All is not as it seems, however, as Natasha reveals that he is Satan in disguise ("Natasha" is "Ah, Satan" backwards) and has been attempting to court her according to the terms of an agreement he made with Fate: He will be allowed to court Orb without interference from the other Incarnations, but everything he says to Orb must be a lie, or part of a greater construct of lies, until he proposes marriage, when he must reveal the truth. Orb rejects Satan''s proposal, and demands that he teach her the final part of the Llano, the Song of Chaos, which she needs to become Gaea. He does so, but warns her that it is a powerful weapon and its effects are unpredictable. She sings the Song of Chaos and it results in devastation on a global scale. The previous Incarnation of Nature then tells her that the only thing that he knows that might reverse its effects is the Song of Chaos itself. She tries singing the song three more times, and each time only results in more destruction. The destruction came in the form of the four elements—Fire, Air, Earth, and Water—so if she sings the song a fifth time, it would appear in the form of the fifth element, Void, and erase the Earth from existence, returning all of existence to primeval Chaos. Thus, the Song of Chaos is Gaea''s ultimate weapon; it will unmake all of reality, and Heaven, Hell and the mortal universe will return to the fundamental chaos from which they sprang. Desperate, Orb turns to the other Incarnations for help. Chronos tells her that he can go back in time and stop her from singing the Song of Chaos, but he needs the consent of all the other incarnations in order to do it. The only one who objects is Satan, who says that he will only give his consent if Orb agrees to marry him. Orb, faced with the impossible choice hinted at in the prophecy, declares "God help me, but I do love Satan" and agrees to the wedding. Chronos changes the past, and Orb honors her agreement. The wedding takes place in Hell, and Satan puts on a grand ceremony. As their wedding vows, the two each sing a song to the other. Orb sings a section of the Llano (the Song of Evening—also known as the Song of Love) which is meant to evoke romantic love, but Satan, surprising everyone, sings a variation of the hymn Amazing Grace—and vanishes. Singing a song forbidden to him, Satan abdicates as the Incarnation of Evil as a demonstration of his feelings for Orb. Having fallen in love with a good woman, Satan can no longer continue to hold the office of the Incarnation of Evil.

Being a Green Mother

Fleurette is a beautiful, innocent country girl who has been protected by her indulgent, wealthy father from the worst horrors of the revolution. Her father Citizen Armand, whom she calls Bibi, is frequently away from home because of his exalted position in the government, but he dotes on her and showers her with gifts and affection during his infrequent visits to their house at Lou Mas, in Dauphiné near Larangne. As Fleurette''s mother is dead, she is looked after by Old Louise the housekeeper when Bibi is away. She also spends much time at the Frontenac family farm and is in love with her childhood sweetheart Amédé, the son of the local épicier M''sieu'' Colombe. Amédé is now twenty and will soon be leaving the village to become a soldier and fight the English. On Fleurette''s 18th birthday, Bibi comes home to visit and all seems perfect in Fleurette''s world. Yet, although the horrors of the Revolution appear far away, in reality they are nearby, for a group of soldiers has arrived in the village to arrest the Frontenac family at their chateau. When the soldiers arrive at the farm they discover that Madame de Frontenac and her crippled daughter Rose have disappeared. Only Charles de Frontenac, farmer and descendant of a long line of aristocrats, is at the house. They turn the house over looking for his wife and daughter with no success for the Scarlet Pimpernel has beaten them to it. Meanwhile, oblivious to what is happening at the farm, Fleurette hears a mysterious voice that tells her "Papers and valuables are behind the panel in Madame''s room" She realises that &#39;Madame&#39; is Madame de Frontenac and rushes excitedly to the chateau, thinking that the message is from St. Antoine, and that perhaps Madame has mislaid some papers. She arrives at the farm to discover the soldiers have trashed the place. Remembering a secret cupboard that Madame had shown her and Rose, Fleurette takes a wallet, a money-bag and a small casket and hides them in her pockets and under her shawl. She is just about to leave for home when she runs into her father standing by the stables with a tricolour sash around his waist. She gets away without him discovering what she has been doing and gives the items to her lover Amédé to hide in his father&#39;s tool shed. The next day, a group of soldiers arrive to search the Colombe&#39;s premises, having been tipped off that the items are there. They find the items and march off with Amédé, M. de Frontenac, and the soldiers who were there before. It&#39;s not long before Fleurette hears that Amédé has been accused of theft and, determined to clear his name, she takes old Louise and searches for her father to explain what really happened in the hope that he can intervene. She eventually finds him down in Orange at the Commission, for her father is none other than Citizen Armand Chauvelin, the arch-enemy of the Scarlet Pimpernel. Chauvelin may be ruthless and merciless, but it appears that he can also be gentle and caring where Fleurette is concerned. It turns out that the soldiers who took Amédé, M. de Frontenac were actually the &#39;English spies&#39; and he is terrified of what might happen to Fleurette after he hears her story. It is not long before Chauvelin&#39;s fears come true as Lieutenant Godot, whom Chauvelin has threatened to denounce for losing the prisoners to the Scarlet Pimpernel, brings Fleurette in front of the Committee on a charge of treason. To make matters worse there is a witness: Old Louise&#39;s daughter Adele who has always resented Fleurette&#39;s wealthy lifestyle. With his daughter apparently trapped by laws that he had helped to create, Chauvelin is determined to save her, thinking even now that if only he can capture the Scarlet Pimpernel, perhaps he would be able to trade the Englishman for his daughter&#39;s life. Despite his best efforts to forestall the inevitable process of trial and guillotine from happening to his beloved daughter the day arrives when Fleurette must face condemnation from her own father. After suffering intense mental anguish for weeks it finally occurs to Chauvelin that he may have to turn to his bitter enemy for help; for surely the Scarlet Pimpernel is the only person who can save Fleurette - but will Sir Percy be willing to help his enemy&#39;s child considering Chauvelin&#39;s previous treatment of Lady Blakeney? de:The Scarlet Pimpernel fr:Le Mouron rouge

Sir Percy Hits Back

The 33 Strategies of War contains successful military principles from a range of cultures and eras that are often applied to 21st century situations. The book is divided into five parts: Self-Directed Warfare, Organizational (Team) Warfare, Defensive Warfare, Offensive Warfare and Unconventional (Dirty) Warfare. The 33 strategies are: # Declare War on Your Enemies: The Polarity Strategy. # Do Not Fight the Last War: The Guerrilla-War-of-the-Mind Strategy. # Amidst the Turmoil of Events, Do Not Lose Your Presence of Mind: The Counterbalance Strategy. # Create a Sense of Urgency and Desperation: The Death-Ground Strategy. # Avoid The Snare of Groupthink: The Command-and-Control Strategy. # Segment Your Forces: The Controlled-Chaos Strategy. # Transform Your War into a Crusade: Morale Strategy. # Pick Your Battles: The Perfect Economy Strategy. # Turn the Tables: The Counterattack Strategy. # Create a Threatening Presence: Deterrence Strategies. # Trade Space for Time: The Nonenagement Strategy. # Lose The Battles But Win The War: Grand Strategy. # Know Your Enemy: The Intelligence Strategy. # Overwhelm Resistance With Speed and Suddenness: The Blitzkrieg Strategy. # Control the Dynamic: Forcing Strategies. # Hit Them Where it Hurts: The Center of Gravity Strategy. # Defeat Them in Detail: The Divide and Conquer Strategy. # Expose and Attack Your Enemy''s Soft Flank: The Turning Strategy. # Envelop The Enemy: The Annihilation Strategy. # Maneuver Them Into Weakness: The Ripening For the Sickle Strategy. # Negotiate While Advancing: The Diplomatic-War Strategy. # Know How To End Things: The Exit Strategy. # Weave a Seamless Blend of Fact and Fiction: Misperception Strategies. # Take The Line of Least Expectation: The Ordinary-Extraordinary Strategy. # Occupy the Moral High Ground: The Righteous Strategy. # Deny Them Targets: The Strategy of the Void. # Seem to Work for the Interests of Others While Furthering Your Own: The Alliance Strategy. # Give Your Rivals Enough Rope To Hang Themselves: The One-Upmanship Strategy. # Take Small Bites: The Fait Accompli Strategy. # Penetrate Their Minds: Communication Strategies. # Destroy From Within: The Inner Front Strategy. # Dominate While Seeming to Submit: The Passive-Aggressive Strategy. # Sow Uncertainty and Panic Through Acts of Terror: The Chain Reaction Strategy.

The 33 Strategies of War

Rhys Mason, former monk of Majere, begins the novel trying to escape death knight Auseric Krell. Rhys, having retrieved the soul of the Dark Knight Ariakan imprisoned by Chemosh in a khas piece, hands the piece over to Zeboim. She sends Rhys and Nightshade back to Solace. Once there, the sheriff, Gerard, seeks others for counsel about the mounting Beloved situation. Rhys agrees with Gerard to stay in Solace and help in any way possible. After an encounter with a Beloved, Rhys, Nightshade, and Atta (Rhys'' dog) head after the creature, eventually ending up in New Port. Here, Rhys finally finds his brother Lleu, a Beloved introduced in the first Dark Disciple novel, who he has been tracking ever since. Elsewhere, Mina has been imprisoned in a new tower of magic in Istar, at the bottom of the Blood Sea. It has been newly erected by the dark god of magic, Nuitari. At a Conclave of Wizards meeting, Nuitari reveals to his cousins about his tower. The three agree to erect three Towers of High Sorcery again, one for each of them. Back in the Tower, Mina begins her task set before her by Chemosh of searching for the Solia Febalas (Hall of Sacrilege). Once she has found it, she is unable to take anything for Chemosh because she becomes so overwhelmed by the god-presence in the Hall. Finally, Nuitari returns and gives Mina over to Zeboim who had begun an assault upon the Tower. Zeboim takes Mina first to New Port where Rhys and his brother are at to have them meet. While there, Mina has a vision of Rhys and insists he knows the truth about her. Rhys'' brother also pleads with Mina to take his life as a Beloved because he wishes it no longer. Before Mina can answer, Zeboim gives her back to Chemosh, who is irate with Mina for not getting any artifacts for him. He has been growing increasingly agitated that the Beloved will only follow her command and resist any by him or Krell. Rhys again tails his brother and finally confronts him again along with New Port authority when his brother tries to kill a woman. The woman''s child attacks the Beloved on behalf of his mother and the Beloved is instantly destroyed, leaving the child in a coma-like state. Krell decides it would be in Chemosh''s best interest if Krell would kill Mina, who is now being imprisoned by Chemosh. As he tries to follow through with his plan, Mina does something extraordinary; she makes him a human again. Then, because she believes Chemosh would want it, she pulls the Tower of Istar from the sea bottom and places it on top on an island in the middle of the ocean. Passing out from such exertion, the novel ends with all of the major and minor gods showing up and pondering over the nature of the unconscious Mina. Majere finally reveals that Mina is in fact a god like them, one of light, who was swayed and corrupted somehow by the Dark Queen Takhisis.

Amber and Iron

The narrative focuses on the journey of the two main characters from adolescence to adulthood in two alternate worlds, the real world and the idyllic Tembreabrezi. The story is told in alternating chapters from two starkly alternating viewpoints: that of Irene Pannis, and of Hugh Rogers. They live in the suburbs of an unnamed US city, in difficult circumstances and with troubled families. They independently discover a place hidden in a local wood, where time flows much more slowly than in the outside world and it is always evening, a "threshold" between their own world and another; though Hugh finds it first within the story, Irene has already been visiting the other world for some years. She has another life there in the town of Tembreabrezi, an adoptive family of sorts, and has learned the local language. Both Irene and Hugh love the "beginning place", the threshold; they feel a sense of belonging and home there that they lack elsewhere in their lives. As Hugh stumbles upon the beginning place, Irene discovers that something is wrong in Tembreabrezi; the paths which connect the town with the rest of the country are closed somehow, and no one can reach or leave the town except for her. The closing is not material but emotional; the townsfolk are struck by a desperate fear which will not allow them to move beyond the town limits. Despite her anger with Hugh, and her resentment of his disturbance of her hidden sanctuary, they find that they must work together; she has had increasing trouble in passing through the gateway into the other place, while he cannot always cross back into the ''real'' world. By travelling together they can pass back and forth through the gateway at will, and so they return to Tembreabrezi together. Hugh is welcomed in the town as the hero for whom they have waited; Irene is jealous, wanting desperately to win the admiration and respect of the townsfolk and especially the Mayor or Master, Sark, whom she has loved for a long time. Hugh is largely unaware of her feelings, but wants to complete the quest to become worthy of the Lord of the Manor''s daughter Allia. In the end, they embark together on a mission to save the town and reopen the roads. Together they track down the monster that brings the fear and Hugh kills it. He is injured in the fight, but Irene helps him to keep going until they can reach the gateway back to their own world. On the other side, the trust and the love they have discovered together opens a different sort of gateway, providing them with a possible future together that avoids the destructive patterns of their own families.

The Beginning Place

Paul Rayment, a man of late middle-age, loses part of a leg after his bicycle is hit by a car driven by a reckless young man. He becomes reclusive and retreats to his flat where he is cared for by a succession of nurses. None suit him until Marijana, with whom he shares a European childhood (hers in Croatia, his in France), comes along. Paul''s feelings for Marijana, and for her teenage son Drago, become more complex. When Paul offers to finance Drago''s education, Marijana''s husband becomes suspicious of Paul''s relationship with Marijana, which causes trouble in their family and culminates in Drago fighting with his father and moving in with Paul. It is not until the famed author Elizabeth Costello shows up unexpectedly and uninvited at Paul''s doorstep that he confronts his feelings for Marijana and his resentment at the state of his life following his bicycle accident. Costello''s sudden presence in his life confounds Paul, who believes she is merely using him as a character in her next novel. The book can be read as a metafictional discourse on the inter-relationship between the literary author and the characters, and with reality.

Slow Man

Zoo City is set in an alternate version of the South African city of Johannesburg, in which people who have committed a crime are magically attached to an animal familiar &ndash; those who receive such punishment are said to be "animalled". The novel''s chief protagonist, Zinzi December &ndash; who was "animalled" to a sloth after getting her brother killed &ndash; is a former journalist and recovering drug addict, and is attempting to repay the financial debt she owes her drug dealer by charging people for her special skill of finding lost objects, as well as making use of her writing abilities by drafting 419 fraud emails. The book''s plot focuses on Zinzi''s attempts to find the missing female member of a brother-and-sister pop duo for a music producer, in return for the money she needs to fully repay her dealer. Being animalled is described as an automatic consequence &ndash; not just in South Africa, but for all humans worldwide &ndash; of bearing a significant amount of guilt. The distinction between moral and legal culpability is unclear, as is the threshold which triggers animalling; however, being responsible for the death of another human is a definite trigger. Every animal gives its ''owner'' a different psychic power; however, the owner must stay close to the animal at all times, or be subject to debilitating panic attacks, nausea, and other withdrawal symptoms. The animals are not limited by the normal lifespans of their species, but can die by violence; should the animal die, the owner will be torn to shreds by a mysterious dark cloud within minutes.

Zoo City

Harriet has evacuated her family to the Wimseys'' country house, Talboys (in Hertfordshire), taking her two children, along with the three children of her sister-in-law, Lady Mary, and Peter''s venerable old housekeeper, Mrs. Trapp. Peter and Bunter are away on an undercover assignment. During a practice air raid, a young woman is murdered in the village, and Superintendent Kirk recruits Harriet to help solve the murder, partly because the police are too busy organizing all the changes necessitated by the war and partly because as the wife of a detective, and as a crime novelist, she is the best qualified person to find the murderer. The murdered girl had come from the city as a "Land Girl", to do agricultural work and help the war effort. She was killed in the village street during an air raid drill, while most people were underground, and much of the investigation turns on the issue of who had been, or could have been, outside the shelter when the murder was committed. Many of the witnesses—and some of the possible suspects—are RAF pilots stationed at a nearby air base, who need to be questioned in between going out on missions. Gerald, Lord Peter''s favourite nephew, who was first seen a decade earlier as a precocious boy playing a major role in solving "The Learned Adventure of the Dragon''s Head" and appeared as an Oxford undergraduate in Gaudy Night; is now an RAF combat pilot. At least one character introduces the possibility that the murder is directly linked to German espionage. While conducting the investigation and riding herd on the five children under her charge, Harriet worried about her husband, whose life is in danger. She regrets the lost years when she had put him off before finally agreeing to marry him. Wimsey, realizing that the Germans had broken the code which he had been using, devises a new one which is unbreakable because of being based on things only he and Harriet knew. His Secret Service colleague brings her Peter''s message and she shows considerable skill in decoding it. Eventually, Bunter comes back from the continent—uncharacteristically dirty, scruffy and so exhausted that he lets Lady Peter wait upon him and put him to bed—and is followed some days later by Peter, who arrived by a different route. It is never revealed where exactly they had been. Lord Peter is retired from active service and, while still involved in intelligence issues, would not be sent again behind enemy lines. Being presented with Harriet''s record of her investigations—which, as he notes, already solved most of the mystery—he is able to add the last missing pieces. Finding the solution for the mystery does not mean, however, just handing the perpetrator to the police; rather, solving the mystery arouses a complicated new problem involving legal, military, ethical and moral issues—which Lord Peter manages to neatly tie up.

A Presumption of Death

The story follows him, and the dog he finds after the battle, into the border country with Wales to the ruins of Viroconium (Wroxeter). There he meets a street urchin named Regina, the only person left in the city. They learn to trust each other and form a bond. When they leave the city and are later separated, Owain becomes a thrall to a Saxon lord in the swamps near the Isle of Wight, where he spends a number of years. In the end, Owain and Regina are finally reunited and return to the Celtic lands beyond the Welsh border. The story takes place at a turning point in the evolution of relations among the Saxons, invaders from the European mainland, and the indigenous Celts. As Owain lives and fights with the Saxons, he sees them beginning to reach accommodation and common cause with the Celts. The Dawn Wind of the title is a reference to the arrival of St Augustine, who brought Christianity to the Saxons. This change also later brought the Saxons and the already-Christian Celts closer together.

Dawn Wind

The book begins with Vidal detailing his early childhood. Vidal discusses the turbulent marriage of his parents as well as the political turmoil when Castro overthrew Batista. He details his close relationship with his two brothers, Roberto and Juan Antonio, and the family’s relatively comfortable life in Camaguey in the 1950s. In the early sections of the book Vidal also takes the reader through the early life of his parents and the beginnings of a turbulent marriage, detailing his mother’s depression and destructive behavior as well as his father’s excessive desire for success. Vidal remembers the first days of Castro’s regime: watching Castro ride through the streets of a nearby town on a tank and being lifted by his parents to touch Castro’s hand. After those early days though, Vidal recounts how his life drastically changed. He narrates how soon people began to live in fear of Castro’s army and his spies, some of whom where neighbors or close friends of the Vidal’s. In September 1961, Marta and Roberto took their three boys to Havana, Cuba, in order to send their sons to the United States for safety. The Vidal boys left communist Cuba on September 29, 1961 with other Cuban children seeking exile through Operation Pedro Pan. Upon arrival in Miami, the Vidal boys expected to be picked up by family members who had already escaped Cuba and were living in Miami, but when no one arrived the three were taken to a temporary housing camp. Eventually the boys were moved to Sacred Heart Orphanage in Pueblo, Colorado. En route to Colorado the boys met Robert F. Kennedy, U.S. Attorney General at the time. In the span of two years, 10-year old Vidal had met two of the most influential men of the time. Vidal’s life at Sacred Heart Orphanage was plagued with fear of the harsh treatment of its caretaker and older boys, as well as the challenges of learning English and adjusting to the oddities of American culture. In their three years at Sacred Heart, the Vidal boys seemed to completely shed their Cuban heritage and become “real” Americans, even adopting the very American names “Bill,” “John,” and “Bob.” Not knowing when, if at all, their parents would ever escape Cuba to retrieve them, the boys adjusted as best they could to their new life in Pueblo. On April 11, 1964 the Vidal family was reunited after Marta and Roberto emigrated to Mexico and eventually the United States. The family relocated to Littleton, Colorado and then later moved into the city of Denver. Though free from the oppression and fear of Castro’s regime, the Vidal family faced innumerable challenges in their new lives in America. The family struggled financially and they were often the victims of hate and discrimination. Moreover, Marta and Roberto''s marriage had greatly deteriorated adding to their erratic behavior. Vidal recounts his adolescence as an extremely turbulent time. Despite domestic hardship the Vidal family was successful – each member of the family took classes at the University of Colorado at Denver. After receiving his degree in engineering Bill went on to work for the Colorado Department of Transportation. He married his high school sweetheart, Christine, and together they had a boy and adopted two girls. Though he flourished professionally Vidal continued to struggle with his relationship with his parents and eventually in his marriage as well. Eventually Bill and Christine divorced. Years later Vidal remarried Gabriela, a Chilean immigrant also working for CDOT. Vidal credits Gabriela with inspiring him to reconnect with his family and his heritage. It is she who encourages him to return to Cuba in 2001 to try to face and understand his past. The book ends with Vidal returning to his childhood home to try to make sense of his life, and how very different it would be if he had not left as a 10-year old boy.

Boxing For Cuba

Walker''s premise is that Australian culture did not develop in isolation from Asia; Australians, while often considering themselves to be living in an outpost of Britain, have always had a fascination with the nations to their near north. Walker argues that many of the perceptions that Australians had of Asia were negative and that the Chinese, in particular, were feared because of the size of their population and the proximity of their homeland to Australia. Australians worried that their society would be overrun by the Chinese and contaminated by their supposed vices; exotic diseases, industrial “sweating”, gambling, sexual deviation and opium abuse. Japan was also feared because of its apparent imperial ambitions and the strength of its military forces. Walker illustrates these fears by analysing the neglected literary genre of invasion narratives. These novels, of which William Lane''s White or Yellow? is characteristic, were popular in the 1890s and 1900s and described the enslavement of white Australians by invading Asian armies. Further images of the Chinese as a cunning but cruel race appeared in the Fu Manchu novels and films of the 1920s and 30s. Walker argues that "Australia came to nationhood at a time when the growing power of the East was arousing increasing concern". Consequently, Anxious Nation places popular perceptions of Asia within the context of the political and cultural changes that led to the development of a distinctive Australian nationalism and the implementation of the White Australia policy. This inevitably leads to an analysis of Australian contributions to the philosophical and scientific theories, particularly Eugenics and Social Darwinism, that underlined concepts of race during the late nineteenth and early twentieth centuries. Within this setting a peculiarly Australian concern was whether white men could perform manual labour and prosper in the tropics. If they could not then the concept of a "White Australia" was doomed and the "Asianisation" of Australia was likely. Australian politicians and medical scientists spent significant time and resources in attempting to resolve this question. Crucially Walker shows that Australians were fascinated by the people and cultures of Asia. He argues that, while negative perceptions of Asia were common, they were not universally held nor uncontested. The currency of the Japonisme and Chinoiserie aesthetic movements and the warm welcome given to a Japanese Naval Squadron in 1906 show that at least some Australians were willing to consider the positive aspects of Asian culture. In particular, Walker shows that Prime Minister Alfred Deakin had a comprehensive knowledge and interest in Indian religions and philosophies. Walker also argues that, despite the isolationism implied by the White Australia policy, Australia developed trade, cultural and diplomatic ties with the emerging Asian nations during the period studied. Professor Walker is currently working on a follow-up volume which continues this work into the present day.

Over 8000 Takeaways For Your Brain!

Read - Listen - Learn

God Game

By Andrew Greeley

Being a Green Mother

By Piers Anthony

Sir Percy Hits Back

By Baroness Emma Orczy

The 33 Strategies of War

By Robert Greene

Amber and Iron

By Margaret Weis

The Beginning Place

By Ursula K. Le Guin

Slow Man

By John Maxwell Coetzee

Zoo City

By Lauren Beukes

A Presumption of Death

By Jill Paton Walsh

Dawn Wind

By Rosemary Sutcliff

Boxing For Cuba

No Author Listed

Anxious Nation

No Author Listed