The story follows the narrator, Robert Syverten, a naive young man from Hollywood who dreams of being a film director. The story begins with Robert''s sentencing for murder. He confesses that he "killed her," and that he doesn''t "have a leg to stand on." He is advised to beg for mercy from the Court. The story of his relationship with the girl he killed, Gloria Beatty, is thereafter intercut after every few chapters with short excerpts from the judge''s sentencing. The excerpts of the judge''s words are written in larger and larger type until the last page of the book concludes with the words written in small print: "And may God have mercy on your soul". Robert meets Gloria on a morning when they have both failed to get parts as extras. She talks him into participating in a marathon dance contest. Like Robert, she is struggling to find work in Hollywood, and believes the contest may be a way to get noticed by studio producers or movie stars. Gloria and Robert enter the dance contest, which is held at a large amusement pier on the beach, somewhere near Hollywood. The contests are long and grueling affairs, taking place over several weeks. Contestants dance for an hour and fifty minutes, then receive a ten minute break. One hundred and forty four couples start the contest. Robert and Gloria, like most of the contestants, are young, jobless, and drawn as much by the free food as by the $1,000 prize money. From the start, Gloria tells Robert that she wishes she were dead, a point she repeats in most of their conversations. Her parents are dead. She ran away to Dallas from a farm in West Texas where her uncle always made passes at her. In Dallas, she tried to commit suicide, then ran away to Hollywood with dreams of being in movies, but is finding only rejection. Robert considers her plain-looking and unlikely to find work as an actress. She tells Robert frequently that she doesn''t have the courage to kill herself. The promoters of the contest try various schemes to increase attendance. They publicize the arrest of a contestant for murder. Every evening, they stage an elimination race, called a derby, in which the couples speed-walk around a track, the last-place couple being disqualified. The promoters stage a marriage of two contestants, who then lose a derby and should be eliminated. Instead, the promoters disqualify another couple. As the dance goes on, into the second and third week, the crowds grow larger. Newspapers cover the contest. Some couples receive sponsorships from local businesses, usually in the form of clothes. Hollywood personalities arrive to watch and are announced by the promoters. Gloria goads Robert into speaking with a famous director he recognizes in the crowd. A woman named Mrs. Layden attends the contest regularly and tells Robert that he and Gloria are her favorite couple. She later gets Robert and Gloria a sponsorship. As the contest grinds on, couples break down physically and drop out. Robert is consumed with claustrophobia and a desire to get outside into the sun. Gloria is tiring and having difficulty walking for the derby without Robert''s help. Gloria is revealed throughout as angry, bitter and outspoken. She curses another male contestant because he won''t allow his pregnant partner to get an abortion. Robert learns indirectly that Gloria is having sex with one of the promoters, presumably to gain an advantage in the event the fix should be put in again. When Robert tells her of his suspicions, Gloria tells him she doesn''t feel she is worthy of doing anything else. When two elderly women from the local morals society threaten the promoters with shutting down the dance, Gloria is asked to witness the meeting and curses the women as spoiled, interfering hypocrites. After 879 hours of dancing and with 20 couples remaining, the contest is shut down when there is a murder at the dance hall''s bar. A stray bullet from the shooting hits and kills Mrs. Layden. The promoters decide to give the remaining dancers $50 each for their efforts. Robert and Gloria go outside for the first time in five weeks and sit on the pier looking at the ocean. Gloria takes a pistol out of her bag and asks Robert to shoot her, which he does. He remembers when he was young, and his grandfather shot the beloved family horse, which had broken its leg. The police ask Robert why he shot Gloria, and he answers, "Because she asked me to." The policeman persists. Robert answers, "They shoot horses, don''t they?"

They Shoot Horses, Don''t They?

Dreams of Joy is organized in four sections -- The Tiger Leaps, The Rabbit Dodges, The Dog Grins, and The Dragon Rises. Joy is the Tiger – romantic, artistic, rash, and impulsive. In this novel, unlike Shanghai Girls, Joy and Pearl are both narrators. Driven by anger at Pearl and May for lying to her about her identity and filled with guilt because of her role in Sam’s death, Joy hastily leaves Los Angeles Chinatown to find her biological father Z.G. and to join the new Chinese society. Finding her father rather quickly in Shanghai, Joy goes with him to a village collective where he is forced to teach art to the peasants. Joy throws herself enthusiastically into the life of the collective and into a hasty marriage with Tao, a peasant artist. Only through motherhood and terrible suffering is Joy able to find her true identity and to exorcise her inner demons. See has written about the difficulty she faced in developing Joy’s character: “At first, Joy was hard to write about because she’s so naïve and stubborn. She makes such terrible mistakes, which, as a mother and her writer, I found hard to watch . . . But what an experience it was to watch her go through all the terrible things she experiences and see her grow up to be a wonderful artist and courageous mother.” Z.G. is the Rabbit, frequently hopping away from danger. Although close to Mao himself, the Chairman can’t trust the artist because of his individualistic streak and Western influences. Z.G. has to go to the country as a form of punishment for his subversive tendencies. What brings Z.G. through in the end are his art, his growing love for Joy and his granddaughter Samantha, his friendship with Pearl, and his devotion to May. The Dog is Tao, the village artist who Joy marries. As Pearl sees it, the question is what kind of Dog will Tao turn out to be. “’A Dog can be violent . . . Is he the kind of Dog you can trust and love, or will he bite you’”. Unfortunately Joy’s passionate view of Tao as a good Dog turns out to be false. Tao is a poor husband, an indifferent father, and a young man devoted to seeking the main chance, no matter who he has to step over to reach his goals. Even surviving the most desperate of circumstances does not change Tao''s character. Pearl is the Dragon. She is the second narrator of Dreams of Joy and the character See found easiest to write. “I was already so familiar with Pearl’s strengths and weaknesses from Shanghai Girls. Her words just flowed, because I’ve now lived with her every day for over four years. In Shanghai Girls Mama speaks frequently of Pearl''s Dragon nature -- and does so even when she is dying: "''There was a typhoon the day you were born . . . It is said that a Dragon born in a storm will have a particularly tempestuous fate. You always believe you are right, and this makes you do things you shouldn''t . . . You''re a Dragon, and of all the signs only a Dragon can tame the fates. Only a Dragon can wear the horns of destiny, duty and power''". Mama''s mother love in giving up her life for her daughters becomes the standard by which Pearl judges herself. If Dreams of Joy is the story of Joy''s coming of age, it also describes Pearl''s growth through love, courage, and self-sacrifice. She pursues Joy to a China she never knew, living in her old Shanghai home as just another boarder, earning a living by collecting papers, and trying desperately to reconnect with her daughter. If such a pursuit requires painful patience and hard work at a collective farm, so be it. Like her mother before her, Pearl is willing to give up everything to save Joy and her granddaughter Samantha from death. Despite such trials, Pearl endures to the end to find joy in her daughter and granddaughter, friendship in Z.G., a new love with Dun the professor, and reaffirmation of her enduring bond with May. Little wonder that Pearl is radiant at novel''s end. As for May the Sheep, See keeps her offstage for almost the entire novel. She is constantly present, however, through her letters to Pearl and the money and gifts she sends to her sister and Joy. At home May endures much hardship -- especially in the context of the death of her husband Vern. Only when Vern dies does May understand the suffering Pearl experienced after Sam''s death. She is also tormented by Pearl''s refusal to tell her the state of her relationship with Z.G. Nevertheless, in the end May finds the love she has been seeking her entire life.

Dreams of Joy

Unmarried fifty-four-year-old Virginia Miner (Vinnie), a professor at Corinth University who specializes in children''s literature, is off to London for another research trip. She loves England and likes to feel that she fits in well there. She is hoping to produce an important new book about playground rhymes. However, she finds that her work has been trashed by a critic, L. D. Zimmern of Columbia, for whom she imagines monstrous dooms. The author makes a point of telling us that Vinnie is not beautiful &mdash; perhaps rather homely &mdash; but that she has had her share of affairs nevertheless, and a brief marriage. Although she enjoys these flings, she has stopped believing that falling or being in love is a good thing. A ''pro'' at long flights, her serenity is ruffled by her seatmate, a garrulous married man from Tulsa, Chuck Mumpson. She puts him off by giving him Little Lord Fauntleroy to read. But smoking, drinking, loudly American Chuck is persistent, and ends up contacting her in London. He has been inspired by Little Lord Fauntleroy to want to trace his own family history. Vinnie slowly becomes involved with his project, and then with him. Meanwhile, her young colleague Fred Turner has left his wife, Roo, at home for his own sabbatical in London, where he is researching John Gay. Fred and Roo have quarreled and he fears the marriage is over. He consoles himself with the affections of a beautiful TV actress, Lady Rosemary Radley, who gives him the entree into London high life. The exquisite but not so young Rosemary has never managed to have a really successful love relationship—though she is not resigned to this, as Vinnie is. Although Fred is very much in love with her, he cannot give her the commitment she wants, since he must return to Corinth to teach summer school. Quite by accident and with the encouragement of Chuck, Vinnie becomes an emissary for Fred''s estranged wife in an improbable midnight walk on Hampstead Heath. What makes this favor more challenging for Vinnie is that Roo''s father is the nefarious critic L. D. Zimmern. Just as she begins to think Chuck''s affections have cooled, because of his silence of several days duration, Vinnie is visited by his daughter who describes his sudden death while climbing the stairs of a small town hall. When an English friend speaks condescendingly of Chuck, Vinnie realizes with surprise that he loved her and she loved him. She returns to her life in Corinth, solitary and unloved, but altered for having loved and been loved.

Foreign Affairs

The aging poet has been hired to write the libretto for a musical about William Shakespeare and relocates to the fictional Indiana town of Terrebasse. He must work with collaborators who seem more interested in crude show-biz entertainment than Enderby''s intricately rhymed Elizabethan-style verses, and the show''s backer - the ostentatious local matron, Mrs. Schoenbaum. The co-star, in the Dark Lady role, is the lusciously black pop-diva April Elgar--and Enderby, consumed with lust, is soon tailoring the show to her non-Elizabethan talents. April is a well-educated daughter of a Carolinian family and is not unresponsive to Enderby''s infatuation. She invites Enderby to her home for Christmas, where he must pose as a clergyman, preaching an incoherent sermon to a Baptist congregation. Eventually, the opening night of ''Actor on his Ass'' - as the show is now titled - arrives and Enderby is forced to take over the role of Shakespeare. Although Anatole Broyard of The New York Times considered the book funny and clever, he concluded that it was "not as good as the previous three books."

Enderby''s Dark Lady, or No End of Enderby

Elias Henders is the prosperous owner of a ranch and a gold mine. Competing for his daughter Diana, ranch hand Colby sabotages recovering alcoholic foreman Bull, and takes his job. The local stage is repeatedly robbed of gold bullion from the owner''s mine, and Bull is suspected. The cowardly sheriff does not take action on the robberies. Rich Easterner Wainwright tries to buy the mine and ranch for a low price, but Henders refuses the offer and discusses the property''s true value with Diana. She is intrigued by Wainwright''s Eastern-educated son Jefferson, who proposes marriage. However, when they are attacked by Indians during the roundup, he runs rather than defend her. Henders is mortally wounded in the battle. Henders will bequeaths his property to his brother John back East so that he can take care of Diana, but John dies too. The Wainwrights pretend that Henders had agreed to a sale, but Diana knows better. Diana''s Eastern cousin Lillian brings Corson, a lawyer, to try to seize the ranch and gold mine. They insist that the ranch and mine are nearly played out, and that they should sell the property, offering her a small amount. They show their ignorance about western ways. Bull encourages Diana that the property is worth more than they say, and advises her that the Wainwrights are often at the mine. The Eastern lawyer finally announces that Diana has no property rights due to the wills. As pressure from the opposing forces builds, a mob goes to hang Bull for the stage robberies, but Diana warns him in time. Bull discovers there are papers that will prove Diana''s claim to the property, and that Lillian has seduced Colby to obtain his help. Bull actually does rob the stage, simply to obtain the papers supporting Diana. Diana recognizes him at the robbery, and is devastated because she is starting to have feelings for him. She orders the Wainwrights, Lillian and Corson off the property, and fires Colby. Bull has the Mexican Gregorio deliver the important papers to Diana, showing that Lillian is not related to John and thus not entitled to the property. The villains try to take over the ranch. Bull catches Colby robbing the bullion stage, and has him watched in town, but he is released by the sheriff and his friends. Colby kidnaps Diana and heads for Mexico. He claims to be rescuing her, but she knows that she does not love him. Bull follows her doggedly, and eventually rescues her. They return to town, stop the illegal title transfers and announce their impending marriage.

The Bandit of Hell''s Bend

The main story of The Testament is set within a framing narrative which concerns a publisher who recollects the "strange disappearance" of the novel''s main character, Gideon Mack, and the discovery of Mack''s "last testament". The testament itself comprises the main narrative. It recounts the life of its author, a son of the manse (meaning the son of a minister of the Scottish Kirk), who has followed in his father’s steps, eventually becoming minister to the small town of Monimaskit. Since Gideon does not, however, believe in God as such, he becomes increasingly disillusioned with his existence, until an accident sends him tumbling into a local gorge. Believed to be dead, he emerges three days later, claiming to have met and conversed with the Devil, who has confirmed several of his doubts. After scandalising and alienating his friends, the parish, and the Kirk at large, Gideon once again disappears, leaving his written account for posterity. The epilogue to the novel is presented as the report of the freelance journalist who first brought the manuscript to the publisher’s attention. He interviews several of the inhabitants of Monimaskit who were mentioned in Gideon’s testament.

The Testament Of Gideon Mack

The main character and storyteller, Kim Karlsen (Paul), is writing the entire story in flashbacks from a sheltered and closed summer residence in the Nesodden area. He has recently escaped from the asylum of Gaustad in Oslo. He rewrites his story from the spring of 1965 to the present day (winter 1972-1973). Kim and his friends, Gunnar (John), Sebastian (George) and Ola (Ringo), played football together, collected Beatles records and stole attributes from cars. This last hobby was abandoned after an incident with an embassy car, and the entire collection was dumped in the fjord. Kim is known as a notorious liar, while Gunnar is the truth-seeker. Ola is the stuttering fat one, and Sebastian is a spiritualist. In time, Kim is the first to get a girlfriend, Nina, who is on and off over the years. The boys get involved in the Norwegian hippie movement in the late 1960s, experiment with drugs, and Sebastian gets so hooked the others have to look for him in Paris, where he lives the life of a junkie, but is saved by his friends (1968). Kim has a nervous breakdown and tells the end of his story from inside the asylum at the time of the Norwegian European Communities membership referendum, 1972. He escapes as the result is clear and retires to Nesodden for writing his story. The last we hear is from Nina, now pregnant with his child, before the book closes. The four boys mature during the political struggle of the 1960s, and end up as left-wings, inspired by people around them. The "upper class" mentality of the western Oslo society is evident, and Kim describes how his sentiments gradually go to the left. Three characters in the book seem to be propagating this view: * Gunnar''s older brother, Stig. He presents them to "Masters of War" by Bob Dylan in the first chapter, making the boys conscious of the Vietnam War by telling them of the atrocities done by American soldiers (including information on napalm). Stig transcends during the book, ending as environmentalist with leaning towards anarchism. He and Seb seem to be close at some points in the book. * Henny, the young girlfriend of Kim´s uncle Hubert. She is an art student, informing Kim on Edvard Munch, and explains to him the assault on the Kjartan Slettemark Vietnam picture in the summer of 1965, to which Kim is a witness (The picture was attacked and demolished with and axe). Kim later has nightmares of the incident, dreaming the attacker uses his axe on innocent children. Henny is in Paris during the 1968 uprising, being attacked by the French police. The book tells how Kim sees her on television, being struck with batons. She even holds her hands around the head in the position of the Scream, to close the Munch metafor (Kim thinks the picture, which he "hears", is of the mother of one of the Vietnam napalm victims). The "scream" metaphor is a recurring motif in the book. * Fred Hansen, a working class boy who managed to get into the upper class school the other boys attend. He is mobbed down by the other boys, and even the teachers, who disrespect his East end dialect. Gunnar and the others protect Fred, and on visiting him and his mother, Kim and the others learn of the social differences in Oslo at the time. Fred drowns in the summer of 1966, despite being the best swimmer in class. The other keep his memory alive. Fred is apparently born outside marriage, not knowing who his father was. His mother earns her living by cleaning houses. The most notable historical inaccuracy in the original Beatles novel, is Kim Karlsen`s reaction and reflections around the picture of the Napalm Girl, mentioned as early as in the 1965 chapters, whereas the picture itself was taken in June 1972. To be charitable, the older Kim may have seen the picture that summer and blended it in with his adolescent memories, as the book closes in the spring of 1973.

Beatles

The somewhat autobiographical story describes the life of Barbadian immigrants in Brooklyn during the Great Depression and then in World War II. The primary characters include Selina and Ina Boyce and their parents, who suffer from racism and extreme poverty. The book focuses most directly on the growth and development of the character Selina. The book did not gain widespread recognition until it was reprinted in 1981. The action opens on a discussion of the brownstone neighborhood in which the Boyce family lives. Selina Boyce, age 10, fantasizes about the white family that used to live in her house. The rented house is occupied by the Boyce family, frivolous father Deighton, stern mother Silla and Selina''s older sister, Ina, as well as Suggie Skeete, a Barbadian woman who rents a room and frequently has male visitors. Additionally, a spinster woman and her mother, Maritze and Miss Mary, both white, live upstairs. In the early pages we learn that Ina, Selina''s older sister, has reached puberty and is home sick with what we can assume are menstrual cramps. Understandably, she doesn''t want to talk to Selina or entertain her. Selina finds her father, Deighton, working on some accounting books he''s studying in hopes of getting a job. Deighton tells Selina that he''s been left a plot of land back in Barbados, and he tells her not to tell anyone about it until her mother knows. Selina asks if she can tell her best friend, Beryl, and her dad acquiesces, and gives her some money for candy. On her way to the candy shop, Selina runs into the hyper-sexualized Suggie, as well as another neighborhood woman, Miss Thompson. She also sees Beryl in the park and asks her to stop by later. Seeing her mother coming home, Selina struggles to clean herself up, in fear of being chastised.

Brown Girl, Brownstones

William is given a realistic model of a castle by the housekeeper, Mrs. Philips, who tells him that it has been in her family for many many years and that its silver knight is said to be under a spell. The silver knight, Sir Simon, comes to life and tells William stories about olden times and an evil wizard who is ruling his kingdom. Desperate to stop Mrs. Philips from going away, William has Sir Simon shrink her with a magic token he stole from the wizard, Alastor. However, William and Sir Simon lack the ability to return Mrs. Philips to her true size as the half of the token that can do so is with Alastor, and Mrs. Philips falls into a depression. Learning of a legend that states that when there is a lady, a knight, and a squire, a quest can be undertaken to stop Alastor, William decides to become a squire to undo his mistake. As he will be shrunk willingly, he will return to his world at the exact moment he left, but Mrs. Philips will lose all the time she spent in the castle until William enters. William has Sir Simon shrink him and he enters the castle to join his two friends. Mrs. Philips and Sir Simon spend a week training him before Sir Simon and William leave, exiting the castle in Sir Simon''s time. While traveling through a magical forest, Sir Simon is tempted by the apparition of his old horse Moonlight, leaves the path and disappears, after having warned William that doing just that will cause one to get lost forever. William manages to make it through the forest on his own and encounters an old man at an apple tree. After getting a specific apple for him, the old man reverts into a young man and reveals he was under a spell. In gratitude for William''s actions, the man, Dick, reveals how to defeat the dragon guarding Alastor''s castle. William defeats the dragon and uses the pretext of a fool seeking work to enter the castle, with the guards hiding the secret that he defeated the dragon to enter. Alastor accepts him as his fool and reveals to William''s horror that he has defeated Sir Simon again and turned him to lead, keeping him in a gallery with his other victims. However, he also turned to lead Dick''s son, a young boy named Tolliver William, and thus believes he has defeated the threat from the legend, not knowing it''s really William. William learns from Sir Simon''s old nurse, Calendar, that he needs to get Alastor''s necklace with his tokens on it and defeat his mirror that reflects what''s inside of you. When Alastor shows up, William knocks him down, gets the necklace, and faces his own fears in the mirror. He then turns it on Alastor, who cowers from it. Calendar uses the lead token to turn Alastor into lead and send him away, defeating him and breaking all of his spells but the last. William is hailed as a hero and the new ruler of the kingdom, but he instead revives Sir Simon and the rest of the lead victims so Sir Simon can regain his rightful place as ruler. William returns to the castle in the attic with the other half of the token and he and Mrs. Philips return to their right sizes. She leaves, taking with her the token and Alastor who was sent to the castle, planning to drop both into the ocean.

The Castle in the Attic

The novel concerns a man named Corky Withers, a shy, odd-tempered and alcoholic magician, whose lackluster performances start to turn around when he adds a ventriloquist''s dummy, Fats, to the show. It chronicles Corky''s childhood and adolescence, and his deep love for a high-school crush named Peggy Ann Snow. After seeing the increasingly disturbing connection to Fats, many people begin to worry about Corky. Although Corky thinks Fats is alive, and can not bear to be apart from Fats for a long period of time, his friends know that Fats is actually an outlet for a hidden homicidal trait in Corky''s personality, and that he has multiple personality disorder. Soon, "Fats" begins to tell Corky to murder anyone that threatens their relationship. All these factors combine and quickly reach a shattering climax during a weekend at Peggy''s home in the Catskills. The novel is written kaleidoscopically, changing time period, location, and point of view swiftly and leaving certain aspects of important events unknown for extended periods of time, especially concerning the identity of Fats the dummy for the early portion of the novel.

Magic

The novel centers on the experience of Etsuko, a woman who has moved into the house of her in-laws following the death of her husband Ryosuke from typhoid. There she falls into a physical relationship with her father-in-law (Yakichi) which both repulses and numbs her. She comes to develop romantic feelings for the young gardener Saburo, who is oblivious of her interest, and turns out to be having an affair with the maid Miyo. The story develops over a period of just over a month, from September 22, when the book opens with her buying a pair of socks as a gift for Saburo, to October 28, 1949, when the story reaches its violent climax. The narrative progresses through a series of flashbacks, and intense, stream of consciousness reflections, focusing on Etsuko''s obsession, which she attempts to hide in the beginning, but which reveals itself as it gradually spins out of control. At times lyrical, the novel is starkly drawn, with dark brooding scenes interspersed with bright sunbursts. The text is particularly notable for its sharp and radical observations, as in: "Etsuko was a beautiful eczema. At Yakichi''s age, he couldn''t itch without eczema." (p.&nbsp;134). The writing is interlaced with asides reflecting a dark brooding focus, as in the child taking pleasure after drowning a colony of ants in boiling water, or in mutilated rose petals lying face down in rainwater. These dark moments, as in much of Mishima''s writings, tend to bring the reader to a foreboding of impending tragedy.

Thirst for Love

When U.S. Coast Guard Cutter Panache intercepts a yacht in the Caribbean Sea, the crew discovers two men cleaning up the vessel after murdering a man and his family. Through a mock execution, the Coast Guardsmen force the killers to confess to the crime. It is later learned that the murdered man was involved in a money laundering scheme for a drug cartel. Upon hearing of this atrocity, the President of the United States, who is running for re-election, feels compelled to take drastic measures against drug trafficking; his challenger, J. Robert Fowler, has rallied the public behind the administration''s failures in the War on Drugs. The president initiates covert operations within Colombia and a step-up of operations against aircraft believed to be distributing narcotics. Aiding the president are U.S. National Security Advisor James Cutter, Central Intelligence Agency''s Deputy Director of Operations Robert Ritter, and Director of Central Intelligence Arthur Moore. The plan consists of four operations: *Operation CAPER is the interception of mobile phone communications between cartel management. It is also the communications arm for SHOWBOAT and the light-fighters'' only means of contact with the outside world. John Clark is dispatched with CAPER to coordinate the effort. *Operation EAGLE EYE uses F-15 Eagles to intercept drug flights. Several aircraft are destroyed and others are forced to land, where the pilots are interrogated for information regarding the cartel. *Operation SHOWBOAT involves four teams of soldiers infiltrating Colombia to stake-out airstrips used by drug-trafficking aircraft. They report departure times of aircraft, allowing the EAGLE EYE team to intercept them. Later the troops attack the airstrips and coca processing sites. The soldiers are seconded from U.S. light infantry battalions, and are all Hispanic in order to blend in with the local population. *Operation RECIPROCITY involves using ground-attack aircraft and laser-guided bombs to attack cartel locations discovered by intercepts. The bombs have a casing that will be consumed in the blast to give the impression of a car-bomb. Meanwhile, Félix Cortez, a former intelligence officer from Cuba employed by the cartel, feigns romantic interest in the aide of Emil Jacobs, the Director of the Federal Bureau of Investigation. The aide unknowingly reveals information regarding the date of Jacobs'' official visit to the Attorney General of Colombia. Cortez delivers this information to the cartel, which orders Jacobs'' assassination as retaliation for the U.S. seizure of cartel money. During his visit, Jacobs and several other Americans in his delegation are killed. Jack Ryan suspects the CIA''s involvement in the situation in Colombia. As acting Deputy Director of the Intelligence Directorate, Ryan should be privy to most operations but he realizes he is being put out of the loop. After Robby Jackson, assigned to the Pentagon, makes an inquiry into activity in the region, Ryan goes to Moore to demand an explanation. Moore is evasive, yet orders Ryan to withhold information about Colombia from a congressional oversight committee. Cortez eventually uncovers the U.S. operations. He suppresses this information, planning to engineer a war within the cartel that will leave him in a position to seize power. Cortez orders mercenaries to hunt down the U.S. troops, and blackmails Cutter into ending SHOWBOAT, promising the intra-cartel war will slow drug imports to the States. Cutter''s meeting with Cortez is shadowed by Ryan and Clark. Clark is outraged at Cutter''s abandonment of the troops and, with Ryan, plans a rescue operation with personnel from the Federal Bureau of Investigation and U.S. Air Force. Clark makes radio contact with two of the SHOWBOAT teams, ordering them to alternate pickup points to await extraction. The other two teams encounter mercenaries and take casualties. Clark makes radio contact with some survivors of these remaining teams&mdash;which include Domingo Chavez&mdash;then flies into Colombia to retrieve them. Ryan uses an Air Force helicopter to pick up other survivors. Together, Clark and Ryan launch a raid on the cartel''s command post, capturing Cortez and extracting the remaining ground team. Due to a hurricane and damage to the helicopter, they land on the deck of the Panache. Cortez is returned to Cuba, where he is a marked as a traitor. Upon being confronted by Clark with evidence of his treason, Cutter commits suicide. Ryan confronts the defiant president, informing him that despite his classifying the drug cartel as a "clear and present danger," Ryan must brief U.S. Congress over the illegal operations. After Ryan briefs the committee, the president deliberately loses the election in order to hide the covert operations and protect the honor of those involved. Ryan realizes that the president has more honor and dignity than he originally thought.

Over 8000 Takeaways For Your Brain!

Read - Listen - Learn

They Shoot Horses, Don't They?

By Horace McCoy

Dreams of Joy

By Lisa See

Foreign Affairs

By Alison Lurie

Enderby's Dark Lady, or No End of Enderby

By Anthony Burgess

The Bandit of Hell's Bend

By Edgar Rice Burroughs

The Testament Of Gideon Mack

By James Robertson

Beatles

No Author Listed

Brown Girl, Brownstones

By Paule Marshall

The Castle in the Attic

By Elizabeth Winthrop

Magic

By William Goldman

Thirst for Love

By Yukio Mishima

Clear and Present Danger

By Tom Clancy