The story begins with Bertie finding himself with pink spots about the thorax, so he flies off to E. Jimpson Murgatroyd (the sombre bird of Harley Street who despotted Tipton Plimsoll in Full Moon). After getting mixed with Orlo Porter fleeing from a policeman and a crowd, Bertie is sentenced by the doc to a quiet life in the country. Thus Bertie goes to Maiden Eggesford in Somerset, with its two leading men, Jimmy Briscoe and Pop Cook, their respective horses, Simla and Potato Chip, and their dark rivalry. Aunt Dahlia, a friend of Jimmy Briscoe, has bet on Simla only to find that it isn''t a snitch. Bertie is annoyed to see old enemy Major Plank in residence with Vanessa Cook and her Pop Cook, who takes an instant dislike to Bertie when he is found tickling a passing cat which is a favorite of his horse Potato Chip. Things get hot when Aunt Dahlia gets a neighbourhood poacher to steal the cat in the hope to impede his horse friend, embroiling Bertie in the to-do. Meanwhile, after a rift between Vanessa and Orlo Porter, the girl decides to plight her troth to the blighted Bertie, whose Code is to never refuse a girl asking for marriage. How Bertie is saved from the Charybdis of marrying Vanessa and being torn with bare hands by Orlo and the Scylla of being whipped by Pop Cook, without compromising his position with Aunt Dahlia, is solely due to the quick thinking of Jeeves.

Aunts Aren''t Gentlemen

Keith Carr, an ex-Royal Air Force fighter pilot with combat experience in the Korean War is now living in Jamaica, where he makes a threadbare living flying charter cargo flights around the Caribbean in his mortgaged second-hand de Havilland Dove. After a rival pilot from his Korean War days lands a high-priced job commanding a squadron of de Havilland Vampire jet fighters for the hard-line military dictators on the nearby “Republica Libre”, Carr suddenly finds life more difficult. For some reason, the United States FBI is keeping him under surveillance. Republica Libre at first offers him a job, and then impounds his plane when he refuses – and one of his flying students ends up murdered. Carr is hired by the flamboyant movie director Walt Whitmore, who is filming an action movie on the north coast of Jamaica, and Carr is assigned to fly an old World War II vintage B-25 Mitchell medium bomber as a camera plane. However, it soon becomes apparent that Whitmore has more in mind for Carr and the decrepit bomber than just making a film. The character of Whitmore was inspired by John Wayne, with whom Lyall spent four days at a studio while Wayne was filming. Sounds like the new movie "Argo." Movie people and secret agents.

Shooting Script

The teen-age Hannah had a desire to do something to fix the world’s wrongs, and make a difference. To do that, she had to convince her family—her father Kevin (a magazine start-up founder and former Wall Street Journal journalist and editor), her mother Joan (a former management consultant partner at Accenture, who had turned to teaching English), and her younger brother Joseph. The book details why and how the Salwen family sold their home in 2006. The home was a luxurious, 6,500-square-foot (600-square-meter), 1912 historic dream-house in Ansley Park, in suburban Atlanta, Georgia. It had Corinthian columns, five bedrooms, eight fireplaces, four ornate bathrooms, and a private elevator to Hannah''s bedroom. The family down-graded, by replacing their home with a house that was half as expensive, and less than half the size. The Salwens donated the other half of the proceeds of the sale of their original home ($850,000) to a charity. They chose The Hunger Project, a charity that works to lessen the hunger of 30,000 rural villagers in over 30 villages in Ghana, and help the villagers move from poverty to self-reliance. The book describes the egalitarian, one-person-one-vote, consensus-driven process that the parents and their two children used–over a period of time–to reach the decision to give away half the value of their home, and how they chose the charity from a number of non-profit organizations that they considered. Before they embarked on the project, though the family members dined together they were otherwise each busy with their own activities, and drifting apart. The New York Times Book Review described the book by saying it details how the family "became happier with less—and urges others to do likewise." Kevin Salwen admitted: "We know that selling a house is goofy, and we recognize that most people can''t do it." Asked if he was suggesting that other people follow suit, he answered: "We never encourage anybody to sell their house. That was just the thing that we had more than enough of. For others it may be time, or lattes, or iTunes downloads, or clothes in their closet. But everyone has more than enough of something.” He also clarified: We want our kids to be idealistic, but we also say, ‘Let’s not go too nuts here''. We’re not Mother Teresa. We’re not taking a vow of poverty, or giving away half of everything we own. We gave away half of one thing, which happened to be our house. Everybody can give away half of one thing, and put it to use. You’ll do a little bit of good for the world–and amazing things for your relationships.

The Power of Half

The story is told in first person by Julius, whose old college buddy Dan used to be one of the most popular people in the country (as measured by Whuffie). Julius and girlfriend Lil are working with the committee (called an ad-hoc) that oversees the Magic Kingdom''s Liberty Square. Dan, who has hit rock bottom and lost all his Whuffie, doesn''t believe in rejuvenation and wishes to die, but not while he''s at rock bottom. He moves in with Julius and Lil in order to rebuild his life. At the park, Julius is murdered and soon refreshed. By the time he wakes up, Debra''s ad-hoc group has taken control of the Hall of Presidents, and is planning to replace its old-fashioned animatronic robots with the synthetic memory imprinting of the experience of being the president for a moment. Julius believes that this rival committee had him killed as a distraction while they seize the Hall in the interim. Fearing that they will next try to revamp his favorite ride, the Haunted Mansion, he resolves to take a stand against the virtualization of the park, endangering his relationship with both Lil and Dan; eventually Lil leaves Julius for Dan. Julius finally “cracks” when he sees his dreams turned to dust and he bashes up the attractions in the Hall of Presidents, in the process also damaging his own cranial interface to the point that he can no longer back himself up. This pushes his Whuffie to ground level when he is caught and gives Debra and her colleagues enough “sympathy Whuffie” to take over the Haunted Mansion, by invitation of the same fans that Julius had recruited to work in the Mansion. Dan leaves Lil, Julius is kicked out of the ad-hoc and his Whuffie hits rock bottom — low enough that others take his possessions with impunity and elevators don’t stop for him. Then comes the revelation: a few days before Dan''s planned suicide by lethal injection, Dan reveals that it was in fact he who had arranged to kill Julius, in collusion with Debra, in exchange for the Whuffie that her team could give him. Dan had asked one of his converts from his missionary days, a young girl, to do the dirty work. Debra then had herself restored from a backup made before this plan, so that she would honestly believe that she wasn''t involved. He makes this public; Debra is thrown out, Julius gets sympathy Whuffie and, ironically enough, develops a friendly affection for his sweet young murderer. He never restores himself, because doing so would erase his memories of that entire year, his last with Dan, but lives with his damaged interface. The book is his attempt to manually document the happenings of the previous year so that, when this incarnation is eventually killed by age or accident, his restored backup will have a partial record of the transpiring events. Dan decides not to take a lethal injection, but to deadhead (putting oneself into a voluntary coma) till the heat death of the Universe.

Down and Out in the Magic Kingdom

The novel''s first chapter begins in London, with Karl Glogauer travelling through Kensington on his way to the Derry and Tom''s Roof Gardens. There, on a bench in the Spanish Gardens, he fantasises about the past, trying to put "his mother, his childhood as it actually was, [and] the failure of his ambitions" out of his head with ideals of Regency-era London politics, gambling, women and duelling. His imaginations are interrupted by a "deep, slightly hesitant, husky" voice, a greeting of "Good afternoon", a dark-skinned man who spends the entirety of the novel unnamed. He first asks if he may join Glogauer on the bench, and then goes on to explain that he''s merely visiting London, and that he hadn''t expected to find such a place in the middle of the city. Glogauer wrongly assumes him to be a rich American tourist, annoyed to have been disturbed from his reverie. The man then asks Glogauer if he may photograph him; Glogauer, now flattered, assents. While he''s being photographed, the man explains that he''s from Nigeria, attempting to convince the government of England to buy copper at a higher price. Glogauer says that he''s an illustrator. The man then invites Glogauer to have tea with him, and Glogauer, feeling guilty, and, despite recalling his mother''s words to not have anything to do with people who make you feel guilty, agrees. After journeying through the Tudor and Woodland gardens, they dine at the restaurant. During the meal, Glogauer attempts to introduce himself. The man, however, does not respond, merely offering Glogauer the sugar bowl. He then asks Glogauer to "come back with me", to which Glogauer says "Yes". The second chapter, introducing a format that is followed by most subsequent chapters, excluding the last, begins, in italics, with a short scene in the man''s hotel suite. Glogauer has taken his clothes off, and lies naked on the bed. The man touches first his head, and then his shoulders. Glogauer closes his eyes, blocking reality out, and begins a fantasy, similar to that which was interrupted by the man in the first chapter. The ending of the chapter is also another scene, in italics, that is set in the present.

Breakfast in the Ruins

ThunderClan is still suffering from Mudclaw''s attack on WindClan, as ThunderClan supports them in battle but they pays the price with wounds. The chances that Brambleclaw stops supporting Hawkfrost is unlikely at this point. At the same time, Squirrelflight and Ashfur grow much closer. Later in the book, Daisy, one of the farm cats, takes her three kits, Berry, Hazel, and Mouse, to join ThunderClan after Daisy witnesses the humans taking Floss'' kits away. Leafpool deals with her forbidden love with Crowfeather, and struggles with her feelings; she must choose between her heart and her Clan. Throughout the book, Leafpool and Crowfeather secretly meet each other. Cinderpelt finally confronts Leafpool when she is with Crowfeather. The two medicine cats fight, and Leafpool decides to run away from the Clans with Crowfeather after Spottedleaf tells her to follow her heart. After a long night alone in the hills, Leafpool and Crowfeather return to the Clans after hearing of a badger attack on the Clans from Midnight. During the fight, Sorreltail suddenly starts to have her kits and Cinderpelt stays to help Sorreltail. Although Sorreltail gives birth to four healthy kits, Cinderpelt is killed by a badger. ThunderClan begins to lose the battle, but WindClan joins in to help, summoned by Midnight. Together, the two Clans manage to drive the badgers away. Crowfeather and Leafpool decide to never meet again.

Twilight

Raised on the prosperous farm of Hugo Jocelyn, descendant of a French knight, Innocent has always believed herself to be Jocelyn''s illegitimate daughter by his fiancee before her death. She is an idealistic woman, inspired by the romanticism of the medieval French literature preserved by her ancestor; indeed, she feels she knows "Sieur Amadis" personally. As an infant, Innocent was dumped at the farm during a violent storm, by a stranger who explained he had to keep going but feared endangering the child. He promised to return, but never did, instead sending money every six months. Jocelyn reveals this in a deathbed confession. After his death, Innocent receives a visit from her birth mother, Lady Blythe. A shallow and pretentious noblewoman, she explains that Innocent was the result of a fling she''d had with artist Pierce Armitage. He was probably the one who left her at the farm. Innocent departs for London, planning to earn her living by writing and "make a name" for herself, since she has none by birthright. She has one book already written; it''s wildly successful, and she writes another. In the usual Corellian coincidences, Innocent''s landlady had had a serious relationship with Pierce Armitage, and Lord Blythe had been his friend at school. Lady Blythe confesses all, then dies. In Italy, Lord Blythe discovers Armitage alive and tells him of Innocent; Armitage at once prepares to claim his daughter legally. However, Innocent has been lured into a romance with a modern-day Amadis Jocelyn, descendant of her "Sieur Amadis"'' brother. She mistakes his flirtations and romantic gestures for real love, but he thinks of it as a mere fling. When he casts her out, Innocent is heartbroken, and returns to her farm to die.

Innocent, Her Fancy and His Fact

This part of the book consists of four chapters in which Metlitzki explores how scientific achievements were translated and transmitted from Arabic texts to Western (primarily English authors writing in Latin) texts. She begins this book by addressing the crusades and the development of scholarship by Mozarabs, i.e. Christians living under Muslim rule, particularly those in Muslim Spain and Sicily (p.&nbsp;3-10). She writes about several Western scholars who were involved in translating Arabic texts and studying Arab held libraries, including several key ancient Greek and Roman texts that were only available in Arabic. Some of these scholars included Adelard of Bath (p.&nbsp;26) who was a Western scholar responsible for translating Al-Khwarizmi’s texts on astronomy and Euclid’s Elements from Arabic into Latin. She details the lives of several of these key scholars including Petrus Alfonsi, a Christian converted ex-Jew living in Muslim Spain and author of the seminal text Disciplina Clericalis, which, according to Metlitzki was the first collection of Oriental tales composed in the West for Westerners (p.&nbsp;16). Robert of Ketton was the first translator of the Quran into Latin and also translated several key scientific texts such as Alchemy by Morienus Romanus and Math, Algebra and astronomy texts by Al-Khwarizmi. Michael Scot was a scholar interested in magic, alchemy and astronomy and was also the first translator of most of the works of Aristotle (from Arabic into Latin), whose writings had been banned in the West as being heretical (p.&nbsp;48). In part two Metlitzki explores key English medieval texts and suggests that they either are based entirely on Arabic stories or include elements from Arabic storytelling that suggest that they had been loosely based on Arabic stories. She then suggests that the English medieval Romance itself is strongly influenced by Arabic ideals of romantic chivalry as well as key Arabic stories from various sources including the 1001 Nights. The English texts she closely examines include Chaucer’s The Canterbury Tales, the English Charlemagne Romances like Sir Ferumbras and the Sowdone of Babylone (p.&nbsp;172-3) and several others. In several of these texts, Metlitzki explains, are found the beginnings of the misunderstanding of Islam by the West and she explores the depiction of Islam and the Islamic prophet Muhammad in these texts in her chapter on History and Romance (p.&nbsp;95-210). On page 245 she also suggests that contributions to English and Western literature from Arabic literature includes several key themes (such as Romance) and also rhyming poetry itself.

The Matter of Araby in Medieval England

The central character of the novel named after him, Blanquerna, was born to Evast and Aloma. Before marrying, Evast, a nobleman, had wanted to follow a religious life but at the same time wished to experience matrimony. He became a merchant after his marriage to Aloma, and he gives his son an education based on religious and philosophical pursuits. In the second part of the novel, Blanquerna confronts the same choice his father did: between a celibate life and a married one. Blanquerna decides to become a hermit, which saddens his mother; she tries to have her son marry the beautiful Cana. But Blanquerna persuades Cana to become a nun, and she later becomes an abbess. Blanquerna also faces sexual temptation in the form of a maiden named Natana. This second part includes a description of the seven sins. In parts three through five of the novel, Blanquerna, having chosen a religious life, becomes a monk (though he desires to become a hermit instead), and quickly becomes an abbot. In time, he is elected pope. The road to the papacy pope is not easy; Blanquerna is constantly faced with troublesome decisions and temptations, and he is not perfect. Indeed, Blanquerna "is made credible precisely because he is prone to make mistakes and to experience temptation, and in the end this gives him an authority which other authorities are obliged to recognize." Blanquerna''s life takes him through widely varying places and social strata, from uninhabited forests and wildernesses to the dense Roman urban landscape of thieves and prostitutes, from interactions with young maidens to interactions with popes and emperors. As he matures, Blanquerna listens to the advice of a jongleur, a "wise fool" named Ramon. Blanquerna reforms the Church completely as pope, with Ramon’s help, and finally becomes the hermit he had always desired to be. As a hermit, he composes a book of meditations to help his fellow hermits defeat temptation: this is the Llibre d''Amic e d''Amat, which consists of 365 love poems. This text "purports to offer the protagonist’s mystical confessions, based on personal experience and examples of ''Sufi preachers,'' as a guide to contemplation within the apostolic utopia of a reform of contemporary Christendom."

Blanquerna

The book begins with the details of how Berkman came to be imprisoned: as an anarchist activist, he had attempted to assassinate wealthy industrialist Henry Clay Frick, manager of the Carnegie steel works in Pennsylvania. Frick had been responsible for crushing the Amalgamated Association of Iron and Steel Workers in the infamous Homestead strike, in which about 10 men were killed. However, although Berkman shot Frick three times and stabbed him several times in the leg with a poisoned knife, Frick survived, and Berkman was sentenced to 22 years in prison. Berkman had hoped to awaken the consciousness of the oppressed American people &mdash; an attentat &mdash; but, as the book goes on to detail, America lacked the political culture to interpret his actions. Even fellow prisoners from the union he was defending failed to see his political intent. The bulk of the book is set during Berkman''s years in prison. Written in first person, present tense, English (his second language), it reads like a diary, though it was in fact written after Berkman''s release. It is a coming-of-age story that tracks Berkman''s difficult loss of his youthful sentimental idealism as he struggles with the physical and psychological conditions of prison life, at times bringing him to the verge of suicide. As he gets to know the other prisoners, he has nothing but disdain and disgust for them as people, though he sees them as victims of an unjust system. "They are not of my world," he writes. "I would aid them," he says, being "duty bound to the victims of social injustice. But I cannot be friends with them... they touch no chord in my heart." Gradually, though, Berkman''s self-imposed distance and moral high ground begins to crumble as he comes to see the flawed humanity in everyone, including himself. The Prison Memoirs is also, in part, a tribute to his friendship with fellow activist Emma Goldman, to whom he refers repeatedly (though not by name; he refers to her as "the Girl") throughout the book. She is the only person to maintain correspondence with Berkman in prison, and defends him from criticism on the outside, helping him upon his release. The book tracks the development of Berkman''s ideas on political violence, and his ruminations often read like a dialog with Goldman, whom he knows intimately.

Prison Memoirs of an Anarchist

The delivery boy from the first book, who is now the Avatar, must stop an epic clash of civilizations between the Western world, led by Christian extremist General Horatio Cruz, and the Middle East, led by Muslim extremist Al-Zee. To accomplish this task, the avatar decides to find the "Prime Influencer", a person who, he feels, can indirectly influence all the decisions people make by virtue of responsibility, from fashion to the election of the President. He attempts to do so by enlisting a talented and arrogant programmer at Global Information Corporation (GIC) (an all-encompassing, worldwide future sort of TIA created out of fear of terrorism) to analyze GIC''s massive databases using software. Also, people''s phones are, in the name of preventing terrorist communications, restricted to only calling certain contacts a person has that have been approved by the Department of Communications; this fact ultimately comes back in the book''s climax. The Avatar applies his unparalleled ability to identify developing patterns and accurately determine the most probable outcomes of a situation to accurately predict the war plans of both Cruz and Al-Zee. He subsequently uses his ability to recognize even the vaguest patterns (which makes him seem to know more than he actually does) to bypass guards, escape interrogations, and ultimately win an audience with the warring leaders. Ultimately, the Avatar fails to stop the onset of the war. However, at the conclusion of the book, the Prime Influencer, who turns out to be an opinionated café owner that the Avatar had met previously by chance, launches a simple, yet catchy, phrase (If God is so smart, why do you fart?) that spreads throughout the world like a virus thanks to an advanced computer worm, named Giver-of-Data (GoD), launched by the GIC programmer shortly before his death, which unlocked everyone''s phones, linked them up to automatic translation systems, and disabled call billing. According to the story, "Once you heard it, you could never forget it." It was this phrase that finally captured the collective imaginations of ordinary people, causing them to reevaluate their assumptions about the nature of God. This ultimately led to the elimination of fundamentalist religious practices throughout the world, which, in turn, resulted in the end of the Religion War.

The Religion War

In the book, Jon Krakauer tells events leading up to his eventual decision to participate in an Everest expedition in May 1996, despite having mostly given up mountain climbing years before. The 1996 season expedition recorded world-high 8 deaths, including the guides of Krakauer: Rob Hall and Andy Harris. Initially, Krakauer, a journalist for adventure magazine Outside, stated that his intentions to climb Everest were purely professional. The original magazine story was to have Krakauer climb only to base camp, and report on the commercialization of the mountain. However, the idea of Everest reawakened his childhood desire for climbing the mountain. Krakauer asked his editor to put off the story for a year so that he could train for a climb to the summit. From there, the book chronologically moves between events that take place on the mountain and the unfolding tragedy which takes place during the push to the summit. In the book, Krakauer alleges that essential safety methods adopted over the years by experienced guides on Everest are sometimes compromised by the competition between rival guiding agencies to get their clients (some with little or no mountaineering experience) to the summit.

Over 8000 Takeaways For Your Brain!

Read - Listen - Learn

Aunts Aren't Gentlemen

By P. G. Wodehouse

Shooting Script

By Gavin Lyall

The Power of Half

By Kevin Salwen

Down and Out in the Magic Kingdom

By Cory Doctorow

Breakfast in the Ruins

By Michael Moorcock

Twilight

By Erin Hunter

Innocent, Her Fancy and His Fact

By Marie Corelli

The Matter of Araby in Medieval England

By Dorothee Metlitzki

Blanquerna

No Author Listed

Prison Memoirs of an Anarchist

By Alexander Berkman

The Religion War

By Scott Adams

Into Thin Air: A Personal Account of the Mt. Everest Disaster

By Jon Krakauer