At over 500 pages long, the book is quite dense. By dividing the book into consistent sections, the author has allowed readers to digest it in sections. Of these, sections dealing with education, the elusive Japanese state, the all-pervasive bureaucracy, the middle class, ritual in society, and the press are regarded as the most important. Overall, Van Wolferen creates an image of a state where a complicated political-corporate relationship retards progress, and where the citizens forgo the social rights enjoyed in other developed countries out of a collective fear of foreign domination. Van Wolferen defines this image across various aspects of Japanese culture, and chronicles its origin through the history of the nation. He frequently cites examples, giving the book 57 pages of endnotes. Throughout, the author points out inefficiencies in the system, and compares it unfavorably to the standard Western system. Van Wolferen states examples that demonstrate the nature of power in Japan and how it is wielded. Japanese power is described as being held by a loose group of unaccountable elites who operate behind the scenes. Because this power is loosely held, those who wield it escape responsibility for the consequences when things go wrong as there is no one who can be held accountable. In particular, the author criticizes large Japanese businesses, and the Liberal Democratic Party, which he describes as being neither liberal nor democratic.

The Enigma of Japanese Power

Emmeline is set in Pembroke, Wales and centers around the eponymous heroine. Her parents are both dead and she has been supported by her father’s brother, Lord Montreville, at Mowbray Castle. It is suggested at the beginning of the novel that Emmeline’s parents were not married when she was born, making her illegitimate; on these grounds, Lord Montreville has claimed Mowbray Castle for himself and his family. Emmeline has been left to be raised by servants, but through reading, she has become education accomplished and catches the eye of Lord Montreville’s son, Lord Delamere. Delamere falls in love with her and proposes but Emmeline refuses him because his father does not approve and she feels only sisterly affection for him. In order to escape Delamere’s protestations of love, Emmeline leaves Mowbray Castle and lives first with Mrs. Stafford and then Mrs. Ashwood, where Delamere continues to pursue her. Emmeline also rejects the suits of other rich men, confounding the people around her. The Croft family, lawyers who are trying to rise in society, have influence over and control Lord Montreville. The younger Croft son secretly marries the eldest Montreville daughter to secure a fortune—a most unfortunate match from Lord Montreville’s perspective. Delamere abducts Emmeline: he attempts to take her to Scotland and to force her to marry him. However, after falling ill of a fever, she convinces him to abandon his plans. When Delamere’s mother, Lady Montreville, becomes ill, he is compelled to visit his family. To help her recover, he promises not to see Emmeline for a year. If, after that period, he still loves her, his parents promise to allow him to marry her and she reluctantly agrees. Emmeline becomes friends with Augusta, Delamere’s sister. Augusta marries Lord Westhaven, who by happenstance, is the brother of Emmeline’s new acquaintance in the country—Adelina. Adelina left her dissipated husband for a lover who abandoned her with a child. She is so distraught that when she sees her brother, Lord Westhaven, she fears his chastisement so much that she briefly goes insane. Emmeline nurses her and her baby; while doing so, she meets Adelina''s other brother, Godolphin. The Crofts circulate rumors of Emmeline’s infidelity to Delamere and when he visits her and sees her with Adelina’s child, he assumes the child is hers and abandons her. Emmeline then travels to France with Mrs. Stafford and Augusta, where she discovers her parents were actually married and that she deserves to inherit Mowbray Castle. Lord Montreville hands the estate over to her, after discovering he was duped by the Crofts. Delamere becomes ill upon discovering that Emmeline was never unfaithful to him. She nurses him, but refuses to marry him. His mother dies in her anxiety over his condition and he dies fighting a duel over his sister’s lover. In the end, Emmeline marries Godolphin.

Emmeline

The bodies of General Alistair Ravenscroft and his wife were found near their manor house in Overcliffe. Both had bullet wounds, and a revolver with only their fingerprints left between them. In the original investigation no one was able to prove whether the case was a double suicide or murder/suicide and, if the latter, who killed whom. Left behind are the couple''s two children, including daughter Celia. Ten years later, Mrs. Ariadne Oliver, a school friend of the late Margaret Ravenscroft and godmother to her daughter, is approached at a literary luncheon by Mrs. Burton-Cox, to whose son Celia Ravenscroft is engaged. Mrs. Burton-Cox asks Mrs. Oliver what she appears to believe is a very important question: which of Celia''s parents was the murderer, and which was murdered? Initially put off by the woman''s attitude, after consulting with Celia herself, Mrs. Oliver agrees to try to resolve the issue. She invites her friend Hercule Poirot to solve the disquieting puzzle. Together they conduct interviews with several elderly witnesses whom they term “elephants”, based on the assumption that, like the proverbial elephants, they may have long memories . Each "elephant" remembers (or mis-remembers) a very different set of circumstances, but Poirot notes some facts that may have particular significance: Margaret Ravenscroft owned four wigs at the time of her death, and a few days before her death, she was seriously bitten by the otherwise-devoted family dog. Poirot decides that the investigation must delve deeper into the past in order to unearth the truth. He and Mrs. Oliver discover that Dolly (Dorothea) and Molly (Margaret) Preston-Grey were identical twin sisters, both of whom died within the space of a few weeks. While Molly generally led an unremarkable life, Dolly had previously been connected with two violent incidents and had spent protracted periods of her life in psychiatric nursing homes. Dolly had married a major called Jarrow and, shortly after his death in India, she was strongly suspected of drowning her infant son, something that she had tried to blame on the little boy’s Indian Ayah. A second murder was apparently committed in Malaya while Dolly was staying with the Ravenscrofts; it was an attack on the child of a neighbour. While staying again with the Ravenscrofts, this time at Overcliffe, Dolly apparently sleep-walked off a cliff and died on the evening of September 15, 1960. Molly and her husband died less than a month later, on October 3. Poirot is contacted by Desmond Burton-Cox, Celia Ravenscroft''s fiancé, who gives him the names of two governesses who had served the Ravenscroft family, who he thinks may be able to explain what happened. Turning an investigative light on the Burton-Cox family, Poirot’s agent, Mr. Goby, discovers that Desmond (who knows that he is adopted, but has no details about the adoption or his origins) is the illegitimate son of a now-deceased actress, Kathleen Fenn, with whom Mrs. Burton-Cox’s husband had conducted an affair. Kathleen Fenn had left Desmond a considerable personal fortune, which would, under the terms of his will, be left to his adoptive mother were he to die. Mrs. Burton-Cox’s attempt to prevent Desmond getting married to Celia Ravenscroft is thus an unlovely attempt to obtain the use of his money (there is no suggestion that she plans to kill him and inherit the money). Poirot suspects the truth, but can substantiate it only after contacting Zélie Meauhourat, the governess employed by the Ravenscrofts at the time of their death. She returns with him from Lausanne to England, where she explains the truth to Desmond and Celia. Dolly had fatally injured Molly as part of a psychotic episode, but such was Molly’s love for her sister that she made her husband promise to protect Dolly from the police. Accordingly, Zélie and Alistair made it appear that Dolly’s was the corpse found at the foot of the cliff. Dolly took her sister’s place, playing the role of Molly to the servants. Only the Ravenscrofts’ dog knew the difference, and this is why it bit its "mistress". Ultimately, Alistair committed suicide after killing Dolly in order to prevent her from injuring anyone else. Desmond and Celia recognise the sadness of the true events, but now knowing the facts are able to face a future together.

Elephants Can Remember

Kelley examines the methods of resistance adopted by black working class as well as the spaces where black working class congregated to form an emerging consciousness. Utilizing the theory of historian George Rawick that the only way to detect working-class resistance from the past is to have knowledge of the amount of damage caused to the employer by the employees, Kelley documents the organized and unorganized ways black workers expressed resentment for racist treatment, including slowdowns, theft, leaving work early, quitting, and various acts of sabotage. He also looks in depth at black resistance that took place in public space, namely Birmingham’s streetcars and buses during World War II. In spite of strict controls by mostly white American bus operators, black working-class riders had no other transportation options and offered fierce resistance—not just in publicly celebrated incidents of heroism of individuals such as Rosa Parks and Ida B. Wells-Barnett, but in every-day conflicts such as arguments and fights with authorities and other riders. According to Kelley, such incidents not only inspired the individuals involved but also galvanized onlookers to the effect that the governance of public transit became quite difficult, which slowly effected change. Incorporating the theories of Richard Wright and Zora Neale Hurston, Kelley examines the social spaces utilized by black working class to escape the racism and humiliations they suffered at the hands of the authority, such as church and home. These spaces, though sometimes also disrupted by outsiders, allowed the community "dark" and hidden venues to discuss experiences, grievances, and dreams that helped to shape black working-class consciousness. Kelley spends part of the book investigating the embracing of alternative goals and lifestyles as a means of resisting poor and limited choices. Young black men during the World War II era were largely burdened by poor education and training that it made it difficult for them to find, much less maintain, employment. Rather than adopting the stereotype assigned poor, southern migrants, many working-class blacks embraced a new identity symbolized by the zoot suit. According to Kelley, many of the working-class blacks of the era felt that most of the jobs available to them were "slave labor", and they instead elected to become hustlers, pimps and gangsters to protest job discrimination and the lack of viable employment options. New identities afforded new opportunities to individuals such as Malcolm Little to study the psychology of white racism, though the choice of criminal life also brought extreme consequences. In more recent times, this alternate choice is demonstrated through "gangsta rap", which evolved out of the authority-challenging blues of the 19th century. Born from black working class in Los Angeles, the musical genre responds in part to the hard realities of poverty and declining unemployment. Kelley illustrates these facets by referencing the lyrics of Ice Cube, who in "A Bird in the Hand"—a track on 1991''s Death Certificate—tells the story of a young man forced to sell crack to survive when the only job he can obtain after graduation is an underpaying one at McDonald''s.

Race Rebels: Culture, Politics, and the Black Working Class

A spacecraft filled with refugees from a cosmic catastrophe crash-lands on an unmapped planet. There the survivors must face the reality of their precarious situation; the ship was lost and little had been salvaged from it. Everything comes to depend on one bright young man accidentally among them, a trainee planet-builder ("polymath"). While it would have been his job to oversee all aspects of establishing a successful colony he faces major difficulties; not only is his education incomplete, he had been studying a vastly different planet. Two ships escaped the catastrophe. One lands in the jungle in a mountainous area. The other, with the polymath, lands on water, allowing the passengers just enough time to escape the sinking ship. With his education incomplete, he is faced with an array of problems he needs to overcome, in order to ensure the survival, of not only the passengers from his ship, but those on the lost ship as well, who are under the control of a despotic captain determined to get back into space.

Polymath

The story begins to unfold as Luke and his grandfather Eli, also known as Pappy, search for migrant workers to help them with the cotton picking. They initially consider themselves lucky to hire the Spruills, a family of "hill people," and a few Mexican migrant workers who annually come to the area looking for work. Aside from working long hours under the hot sun in the fields, Luke''s life is fairly idyllic until he sees the overly aggressive and mentally unstable Hank Spruill attack three boys from the notorious Sisco family, one of whom is beaten so severely he dies from his wounds. Hank arrogantly identifies Luke as a friendly witness who can support his version of the event, and the fearful boy backs up his story, although the adults in his life, including local sheriff Stick Powers, suspect he''s too frightened to admit the truth. When Luke sees Cowboy, one of the Mexicans, later murder Hank and toss his body into the river, Cowboy threatens to kill Luke''s mother if Luke tells anyone what he saw. Cowboy and Tally, the teenage daughter of the Spruills, then run off together and are not seen again. Luke also learns that his admired Uncle Ricky, fighting in the Korean War, may have fathered a child with a daughter of the Latchers, their poverty-stricken sharecropping neighbors. Grisham surrounds these dramatic moments with descriptive passages of life in the rural South and the ordinary events that fill Luke''s weekly routine. His hard work in the fields is preceded by a hearty breakfast of eggs, ham, biscuits, and the one cup of coffee his mother allows him, and at day''s end he''s rewarded with an evening on the front porch, where the family gathers around the radio to listen to Harry Caray announce the St. Louis games. A devoted fan, Luke is saving his hard-earned money to buy a team baseball warm-up jacket he saw advertised in the Sears, Roebuck catalog. Saturday afternoons are spent in town, where the adults share idle gossip and serious concerns and the youngsters visit the movie house, while Sunday morning is reserved for church. A visiting carnival, the annual town picnic, and Luke''s introduction to television - to see a live broadcast of a World Series game - are additional bits of local color scattered throughout the tale. A flood devastates the family''s cotton crop before the harvest is completed, and Luke''s parents decide to travel to the city to find work in a Buick Plant, breaking a history of generations working on the land. The novel ends with Luke''s mother smiling on the bus, having finally got her wish to leave cotton-farming. The book''s title refers to the Chandler house, which never has been painted, a sign of their lower social status in the community. One day Luke discovers someone furtively has been painting the weatherbeaten clapboards white, and eventually he continues the job with the approval of his parents and the assistance of the Mexicans, contributing some of his own savings for the purchase of paint. The house''s gradual transformation symbolizes the changes in the boy and his family as they prepare to enter a new phase in their lives.

A Painted House

The story is set in Eskibahçe, a small fictional village in southwestern coastal Anatolia during the 1900s, spanning World War I and the era of Turkish nationalism. The Battle of Gallipoli takes place halfway through the novel. Although fiction, the setting of Eskibahçe is based upon Kayaköy (Greek: Levissi Λεβισσι) village near Fethiye, the ruins of which still exist today. Once a thriving Greek village, this town of over one thousand houses, two churches, fourteen chapels, and two schools, was completely deserted in 1923 when the Greek inhabitants living there, along with a vast number of Greeks living throughout Turkey were deported to Greece through a massive government mandated population exchange between the two countries following the Turkish war of independence. Historically, Turks and Greeks had lived together in this region for centuries, the Turks as farmers in the Kaya valley and the Greeks living on the hillside dealing in crafts and trades. A Greek presence in this region goes back for centuries. Since then, the village of Kayakoy, as it is called in Turkish, or Karmylassos, as it was called in Greek, which had been continually inhabited since at least the 13th century, has stood empty and crumbling, with only the breeze from the mountains and mist from the sea blowing through its empty houses and streets. Attempts by the Turkish government to get Turks deported from Greece to inhabit the village failed, and eventually, in the 1950s, the roofs of all the houses were removed. Some of its characters are also present in the author''s earlier novel Captain Corelli''s Mandolin. The book includes a vivid and detailed description of the horrors of life in the trenches during World War I.

Birds Without Wings

A boy takes a picture of the Animorphs while they are demorphing in an alley. They track the boy down and decide to keep watch on him. When they go to Cassie''s barn to reconvene, the Helmacrons show up and demand the morphing cube because they need it to charge their ship. In the battle that ensues, the Helmacrons leave the ship and enter Marco''s nose. The Animorphs decide to use the Helmacron ship to shrink themselves so they can follow the Helmacrons and stop them from killing Marco from the inside. When they shrink, they realize that they are too small to hear the speech of full-size humans, which didn''t happen the last time they were shrunk. When they catch up to the Helmacrons inside Marco''s nose, they notice that they have been shrunk to 1/100th the size of the Helmacrons, who tweaked the shrinking device before they left their ship knowing that the Animorphs would shrink themselves so they could go after them. Meanwhile, Marco is bored of just sitting around and decides to go over to the apartment of the boy who took their picture to try to steal his camera. He goes up the fire escape and enters through a window, but before he can even pick up the camera he gets bitten by a dog and flees home. Rachel falls down into Marco''s stomach, and the Helmacrons as well as the rest of the Animorphs follow her, where they are shortly burnt by stomach acid before morphing sharks and following the Helmacrons into the bloodstream. In the bloodstream, Rachel notices a pathogen while looking at all of the different types of blood cells around them. They realise that when the Helmacrons reach the heart, they can stop it from beating with their weapons. Marco goes back to the apartment a second time, and while he is there someone comes home. He soon finds himself trapped in the closet and against Jake''s orders, morphs a cockroach. The Helmacrons shoot at the cockroach''s heart, after which everyone believes Marco to be dead until they remember that cockroaches can withstand severe trauma. In the meantime, the Animorphs get the weapons away from the Helmacrons by biting their legs. Marco is indeed alive, and they manage to get him to morph back to human. Holding the Helmacrons at gunpoint, they all return to the barn, and recharge the Helmacron''s ship with the morphing cube. The Helmacrons leave earth again after promising to never come back. Later at home, Rachel researches on the computer and discovers that the pathogen she saw in Marco''s bloodstream was rabies, and his near death experience actually saved him from the virus. Rachel considers calling him, but quickly dismisses it.

The Journey

The novel tells the story of Princess Marguerite "Daisy" Valensky. She is the daughter of Prince Alexander "Stash" Valensky, a wealthy Russian-born polo player and former playboy, and his wife Francesca Vernon, a beautiful and talented American actress. Stash and Francesca, madly in love, are thrilled by her pregnancy and the news that she is carrying twins. However, a problem during delivery denies one of the twin girls, named Danielle, enough oxygen, and she is born brain-damaged, while Daisy is healthy. Francesca suffers from acute post-partum depression and enters a fugue state for several weeks. Stash, who has a fear and disgust of illness and abnormality after a childhood spent watching his mother slowly waste away from tuberculosis, is unable to accept or love Danielle. When Francesca recovers from her depression, he lies to her, telling her that the second-born twin died soon after birth. She discovers the truth and flees with both infants to California, where she is helped by her former agent and his wife. For several years, she lives a secluded life in Carmel and grants Stash short visits with Daisy. Francesca dies in a car accident, and Daisy and Dani are reunited with their father, who immediately places Dani in an expensive but remote home for retarded children, much to Daisy''s distress. When Daisy turns 16, her father dies in a plane accident, after which her older half-brother, Ram, who has become obsessed with her, seduces and then brutally rapes her. To get her away from Ram, her father''s mistress, Anabel (a mother figure to the girl), sends her to the University of California at Santa Cruz, where she forms what will be a lifelong friendship with Kiki Kavanaugh, an auto industry heiress from Grosse Pointe, Michigan. Because of Daisy''s total estrangement from Ram, who is a trustee of her inheritance, she neglects to read his letters regarding her stock portfolio at a crucial moment and thus loses everything her father left her. As a result, she is forced to drop out of college and go to work. She paints portraits of rich, horse-mad peoples'' children on ponies in order to pay Dani''s bills and also works in a demanding job at a production company that makes television commercials. When Anabel becomes ill and needs money for treatment, Daisy must make a decision to abandon her private life. Up to this point, Daisy has lived out of the public eye, refusing to trade on her title for financial gain, but she ultimately accepts an opportunity to do so. In the process, Daisy must learn to trust a man who loves her, to come to terms with her sister''s disability, and to make peace with the life she''s been given.

Princess Daisy

The story takes place just before the 1715 Jacobite Rising, with much of Scotland in turmoil. Frank Osbaldistone, the narrator, quarrels with his father and is sent to stay with an uncle, Sir Hildebrand Osbaldistone, in Northumberland. Frank falls in love with Diana Vernon, Sir Hildebrand''s niece, whose father has been forced to go into hiding because of his Jacobite sympathies. Frank''s cousin, Rashleigh, steals important documents vital to the honour and economic solvency of Frank''s father, William, and Frank pursues Rashleigh to Scotland. Several times his path crosses the mysterious and powerful figure Robert Roy MacGregor, known as Rob Roy, an associate of Sir Hildebrand. There is much confusion as the action shifts to the beautiful mountains and valleys around Loch Lomond. A British army detachment is ambushed and there is bloodshed. All of Sir Hildebrand''s sons but Rashleigh are killed in the Jacobite Rising, and Rashleigh, too meets a bloody end. Following this, Frank inherits Sir Hildebrand''s property and marries Diana. Robert Louis Stevenson loved the novel from childhood, regarding it as the best novel of the greatest of all novelists. The novel is a brutally realistic depiction of the social conditions in Highland and Lowland Scotland in the early 18th century. Some of the dialogue is in broad Scottish, and the novel includes a glossary of Scottish words.

Rob Roy

The story is written as a first person narrative from the perspective of one of three boys shipwrecked on the coral reef of a large but uninhabited Polynesian island, 15-year-old Ralph Rover. Ralph tells the story retrospectively, looking back on his boyhood adventure: "I was a boy when I went through the wonderful adventures herein set down. With the memory of my boyish feelings strong upon me, I present my book specially to boys, in the earnest hope that they may derive valuable information, much pleasure, great profit, and unbounded amusement from its pages." The account starts briskly, with only four pages devoted to Ralph''s early life and a further fourteen to his voyage to the Pacific Ocean on board the Arrow. He and his two companions&nbsp;– 18-year-old Jack Martin and 14-year-old Peterkin Gay&nbsp;– are the sole survivors of the shipwreck. The narrative is essentially in two parts. The first describes how the boys feed themselves, what they drink, the clothing and shelter they fashion, and how they cope with having to rely on their own resources. The second half of the novel is more action-packed, featuring conflicts with pirates, fighting between the native Polynesians, and the conversion efforts of Christian missionaries. At first the boys'' life is idyllic. Food in the shape of fruits, fish, and wild pigs is plentiful, and they fashion a shelter and construct a small boat using their only possessions: a broken telescope, an iron-bound oar, and a small axe. Their first contact with other humans comes after several months, when they observe two large outrigger canoes land on the beach. The two groups of Polynesians disembark and engage in battle; the three boys intervene to defeat the attackers, earning them the gratitude of the chief, Tararo. The natives leave, and the boys are alone once more. Less welcome visitors then arrive in the shape of British pirates, who make a living by trading or stealing sandalwood. The three boys conceal themselves in a hidden cave, but Ralph is captured when he ventures out to see if the pirates have left, and is taken on board the pirate schooner. He strikes up a friendship with one of the pirates, Bloody Bill, and when they call at an island to trade for more wood he meets Tararo again. There he experiences many facets of the island''s culture, including the popular sport of surfing, the sacrificing of babies to eel gods, rape, and cannibalism. Rising tensions result in the inhabitants attacking the pirates, leaving only Ralph and Bloody Bill alive. The pair succeed in making their escape in the schooner, but Bill is mortally wounded. He makes a death-bed repentance for his evil life, leaving Ralph to sail back alone to the Coral Island, where he is reunited with his friends. The three boys sail to the island of Mango, where a missionary has converted some of the population to Christianity. They find themselves caught up in a conflict between the converted and non-converted islanders, and in attempting to intervene are taken prisoner. They are released a month later after the arrival of another missionary, and the conversion of the remaining islanders. The "false gods" of Mango are consigned to the flames, and the boys set sail for home, older and wiser.

The Coral Island

The story is set in the early Qing Dynasty during the reign of the Shunzhi Emperor. The ethnic minority tribes in northwestern China are under attack by Qing forces that are attempting to force them into submission. Yang Yuncong helps the tribal people resist the invaders and becomes a revered hero in the region. However Yang is betrayed and attacked by his junior Chu Zhaonan, who has defected to the Qing side. They encounter a sandstorm while fighting. Yang is injured and loses consciousness, but is saved by Nalan Minghui, the daughter of a Qing general called Nalan Xiuji. She nurses him back to health and helps him escape from danger. After leaving Nalan Minghui, Yang Yuncong meets "Flying Red Sash" Hamaya, a legendary heroine in the northwest. Hamaya''s lover, the singer Yabulu, had betrayed their tribe and caused the death of her father. Hamaya seeks vengeance on Yabulu, captures him and brings him back to her tribe for punishment. Along the way, they are ambushed by Chu Zhaonan and Qing soldiers. Yang and Hamaya defeat and capture Chu, but Yang releases Chu on account of their past senior-junior relationship. Back in Hamaya''s tribe, her fellow tribesmen find Yabulu guilty and want him dead. Hamaya suppresses her sorrow, and personally kills Yabulu to deliver justice. With Yang Yuncong''s help, Hamaya emerges as champion in a martial arts contest and is elected to be the new chief of her tribe. By then, Hamaya has secretly developed romantic feelings for Yang. Yang Yuncong continues to help Hamaya and her people fight the Qing army. During this time, he meets Nalan Minghui again and they fall in love with each other. However, Yang and Nalan are not fated to be together, because they stand on opposing sides. Besides, Nalan''s parents have agreed to marry her to the Manchu prince Dodo. In grief, Nalan decides to consummate her romance with Yang, and eventually becomes pregnant with Yang''s child. On the other hand, Hamaya is also in love with Yang Yuncong, and she has revealed her feelings to him, but he rejects her. Hamaya is heartbroken and her hair turns white overnight, just like her teacher, the "White Haired Demoness" Lian Nichang. Without Hamaya to lead them, the tribal people suffer a crushing defeat by Qing forces. In the meantime, Yang Yuncong leaves northwestern China after learning that Nalan Minghui and Prince Dodo''s wedding is going to take place in Hangzhou soon. His eventual fate is revealed in Qijian Xia Tianshan.

Over 8000 Takeaways For Your Brain!

Read - Listen - Learn

The Enigma of Japanese Power

By Karel van Wolferen

Emmeline

No Author Listed

Elephants Can Remember

By Agatha Christie

Race Rebels: Culture, Politics, and the Black Working Class

By Robin D.G. Kelley

Polymath

No Author Listed

A Painted House

By John Grisham

Birds Without Wings

By Louis de Bernières

The Journey

By K. A. Applegate

Princess Daisy

By Judith Krantz

Rob Roy

By Walter Scott

The Coral Island

By Robert Michael Ballantyne

Saiwai Qixia Zhuan

By Liang Yusheng